karyoker @ Mon Jul 28, 2008 5:39 am wrote:
After a Fri and Sat gig I sort of got it going. Needs some fine tuning for the best. I didnt think it would be that hard but its not easy at times.
Comments:
I put the the Lexicon 550 on the eFx send 1. It sucks. I sang a song with a dry throat and under stress without the Lexicon OMG What a difference. It is going back in series with the 266XL.
Sounds like it was improperly adjusted or hooked up wrong possibly.
Turn the input on the Lexi up about halfway, the mix all the way to wet & the output from 3/4 to all the way up. On the channel you want the effects, turn it up about to 9-10 oclock. Turn the EFX 1 master (over the built in effects) to half (U).
For the return I run it into an individual channel rather than the EFX rtn, for greater flexibility. If you choose to use the effects return, you get less adjustments & sound quality.
Quote:
Questions:
I hard pan stage mics to the left and to sub 1.. Announce mic panned right to sub 2. Music to sub 3 & 4.. Right? The strip faders should be at unity and mic music balance set with the sub faders Right?
It is one hell of a desk.
Personally I would pan all mics to 1 sub only. That is the purpose of the subgroups to group mics & instruments together. So i'd put all all mics on sub 1, I run mono so I have all music on sub 3 (or you could split karaoke on sub 3 & dj on sub 4) - if you run stereo, then all music on 3 & 4. Since I also run the efx to a channel strip, I run that one to sub 2.
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