Karaoke Forums

Has anyone ever tried using one of these mics billed as "live vocal condenser" mics for a karaoke show?

The dynamics sound intriguing, but I would be worried that these would be more feedback prone than a dynamic mic.

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C Mc
KJ, FL

I would be more prone to ask if they are
Robust enough.

Got the Beta 87A.
Couple of drops.
Soldering iron used twice.

The design seems to be set up for pretty good feedback rejection (cardiod pattern - claims to be a good choice for stage or 'in-ear' monitors).

The issue with condensor microphones isn't sound quality - as a general rule, they tend to provide a better sound quality than most dynamics - it's one of handling the rigors of 'show' use. There is also the issue of phantom power requirements for condensor microphones since not all mixers provide phantom power.


I have a number of condensor microphones - for matched pair small diaphragm condensors to a pair of pentode tube based large diaphragm condensors that are incredible. I use them for professional performing acts or when I'm doing some voice over recordings, and the like. I don't use them at shows because they simply aren't designed for the abuse. Besides, who wants to sing into a shock mounted microphone with a pop filter on it at a karaoke show? It only gets worse if I use the Reflexion Filter on the back because you can't even see the face of the person singing with it on!

Sure, it looks like a studio - which can be exciting and intimidating all at the same time. But on the flip side, it's just not practical since people can't 'jump around' or 'have fun' which tends to be half the show.


FYI - Yes, I know the SM86 isn't a shock mounted microphone but I was taking this to the extreme to make a point. Condensor microphones are best used by performing acts or in a studio where the equipment is well taken care of and in some cases coveted. Not on a stage with people who will (potentially) abuse the equipment.