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PostPosted: Mon Jul 30, 2012 1:41 pm 
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Bazza wrote:
Wasn't one of the pirates being sued trying to use this system design as a defense last year? I seem to recall fake eBay auctions, etc in which this very system was described & claimed to already be in use.

Never heard the outcome.


that rings a bell, but i cant remember for sure. but even so, if someone tried to sell or rent you access to their system, that would definately be bad, and that sounds like what was happening on eBay. no real difference from selling a loaded drive. in this scenario on the other hand, it is just off site storage of original music instead of a portable drive.

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PostPosted: Mon Jul 30, 2012 4:15 pm 
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chrisavis wrote:
I am in a training class this week and mentioned this whole concept to a fellow geek and karaoke enthusiast. We are going to begin planning next week.

The *only* blocking factor we see with this is the level of connectivity between the karaoke rig and the monitors/sound systems at the remote locations.

I have reliable 4G coverage in my area but even that can be impacted by the building and everyday Internet congestion. For locations with wired Internet access, this is not much of an issue. I have wired access at my two primary venues now so they will work great for testing.

-Chris


Then I think your configuration is more along the lines of streaming the output (audio and video) from your disc changer (at home) and your displays/sound system that are distributed around town.


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PostPosted: Mon Jul 30, 2012 5:37 pm 
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c. staley wrote:
chrisavis wrote:
I am in a training class this week and mentioned this whole concept to a fellow geek and karaoke enthusiast. We are going to begin planning next week.

The *only* blocking factor we see with this is the level of connectivity between the karaoke rig and the monitors/sound systems at the remote locations.

I have reliable 4G coverage in my area but even that can be impacted by the building and everyday Internet congestion. For locations with wired Internet access, this is not much of an issue. I have wired access at my two primary venues now so they will work great for testing.

-Chris


Then I think your configuration is more along the lines of streaming the output (audio and video) from your disc changer (at home) and your displays/sound system that are distributed around town.


I don't like the term "streaming" for this scenario. "Sending" is more to my liking. Whatever the term is for getting the signal from an on-site player to an on-site TV screen is exactly the same term I would use here since it is functionally the same thing.

-Chris

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PostPosted: Mon Jul 30, 2012 6:10 pm 
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chrisavis wrote:
c. staley wrote:
chrisavis wrote:
I am in a training class this week and mentioned this whole concept to a fellow geek and karaoke enthusiast. We are going to begin planning next week.

The *only* blocking factor we see with this is the level of connectivity between the karaoke rig and the monitors/sound systems at the remote locations.

I have reliable 4G coverage in my area but even that can be impacted by the building and everyday Internet congestion. For locations with wired Internet access, this is not much of an issue. I have wired access at my two primary venues now so they will work great for testing.

-Chris


Then I think your configuration is more along the lines of streaming the output (audio and video) from your disc changer (at home) and your displays/sound system that are distributed around town.


I don't like the term "streaming" for this scenario. "Sending" is more to my liking. Whatever the term is for getting the signal from an on-site player to an on-site TV screen is exactly the same term I would use here since it is functionally the same thing.

-Chris

Psssst.....................yeah, over here........................Ummm, ..............................that's still streaming.......................but don't tell Chris.

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PostPosted: Mon Jul 30, 2012 6:14 pm 
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Smoothedge69 wrote:
chrisavis wrote:
c. staley wrote:
chrisavis wrote:
I am in a training class this week and mentioned this whole concept to a fellow geek and karaoke enthusiast. We are going to begin planning next week.

The *only* blocking factor we see with this is the level of connectivity between the karaoke rig and the monitors/sound systems at the remote locations.

I have reliable 4G coverage in my area but even that can be impacted by the building and everyday Internet congestion. For locations with wired Internet access, this is not much of an issue. I have wired access at my two primary venues now so they will work great for testing.

-Chris


Then I think your configuration is more along the lines of streaming the output (audio and video) from your disc changer (at home) and your displays/sound system that are distributed around town.


I don't like the term "streaming" for this scenario. "Sending" is more to my liking. Whatever the term is for getting the signal from an on-site player to an on-site TV screen is exactly the same term I would use here since it is functionally the same thing.

-Chris

Psssst.....................yeah, over here........................Ummm, ..............................that's still streaming.......................but don't tell Chris.



Funny.....I don't often hear broadcast TV referred to as "streaming".....or radio referred to as streaming.....or cable TV or satellite TV.......and those are all identical in nature to what I propose doing.

-Chris

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PostPosted: Mon Jul 30, 2012 6:41 pm 
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chrisavis wrote:
Funny.....I don't often hear broadcast TV referred to as "streaming".....or radio referred to as streaming.....or cable TV or satellite TV.......and those are all identical in nature to what I propose doing.

-Chris


You might not "hear it often" but that's exactly what it is. Relabeling Vanilla ice cream to "White ice cream" doesn't change what it is.

In any case, read your discs. Right next to "Unauthorized Copying Prohibited" it should say "Unauthorized BROADCAST prohibited."

And if you are identically doing what "broadcast" TV is, well, then it's broadcasting. (not authorized)


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PostPosted: Mon Jul 30, 2012 10:04 pm 
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Really surprised that you of all people are debating me on this one, Chip.

It really comes down to the transmission of the content. How the sound and audio gets to the destination is less important than how the source is managed.

I believe I have a viable solution and I am almost willing to run with it and let the powers that be come raise a stink and then defend it. I am looking for some IP attorneys (of which there is no shortage in my area) with which to consult.

-Chris

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PostPosted: Mon Jul 30, 2012 11:15 pm 
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chrisavis wrote:
Really surprised that you of all people are debating me on this one, Chip.

It really comes down to the transmission of the content. How the sound and audio gets to the destination is less important than how the source is managed.

I believe I have a viable solution and I am almost willing to run with it and let the powers that be come raise a stink and then defend it. I am looking for some IP attorneys (of which there is no shortage in my area) with which to consult.

-Chris


Why surprised? It's broadcasting by your own admission and it's not allowed. Ask SC if they don't have a problem with it.

The difference in these two ideas is fairly simple:

You want to "play" the disc at home and share, transmit, broadcast, send, stream etc. to the venue as it's happening in real time.

My method transfers the ENTIRE song at one time BEFORE it is "played" at a venue. The file is not permanently stored on the KJ's machine.

There is a fundamental difference between the two.


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PostPosted: Mon Jul 30, 2012 11:52 pm 
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Quote:
§ 106 · Exclusive rights in copyrighted works38
Subject to sections 107 through 122, the owner of copyright under this title has
the exclusive rights to do and to authorize any of the following:
§?104a?
Subject Matter and Scope of Copyright
Copyright Law of the United States
17
(1) to reproduce the copyrighted work in copies or phonorecords;
(2) to prepare derivative works based upon the copyrighted work;
(3) to distribute copies or phonorecords of the copyrighted work to
the public by sale or other transfer of ownership, or by rental, lease, or
lending;
(4) in the case of literary, musical, dramatic, and choreographic works,
pantomimes, and motion pictures and other audiovisual works, to perform
the copyrighted work publicly;
(5) in the case of literary, musical, dramatic, and choreographic works, pan-
tomimes, and pictorial, graphic, or sculptural works, including the individual
images of a motion picture or other audiovisual work, to display the copy-
righted work publicly; and
(6) in the case of sound recordings, to perform the copyrighted work pub-
licly by means of a digital audio transmission.


You've been discussing an idea I have looked at before.
There are several stumbling blocks.
One of them is number 6 of this section of copyright law.
It has been awhile since I looked at this so my memory has faded, but I believe that the addition of the digital transmission makes things a bit sticky with ASCAP and BMI.

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PostPosted: Tue Jul 31, 2012 6:09 am 
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Paradigm Karaoke wrote:
Bazza wrote:
Wasn't one of the pirates being sued trying to use this system design as a defense last year? I seem to recall fake eBay auctions, etc in which this very system was described & claimed to already be in use.

Never heard the outcome.


that rings a bell, but i cant remember for sure. but even so, if someone tried to sell or rent you access to their system, that would definately be bad, and that sounds like what was happening on eBay. no real difference from selling a loaded drive. in this scenario on the other hand, it is just off site storage of original music instead of a portable drive.


No, no...he wasn't selling anything on eBay. He created a fake auction of SC discs with a stupid high price simply so he could use the description area as an anti-SC soapbox for how he believed he was being screwed over. In this tirade, he described using such a system. There was a lot of discussion about it at the time...


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PostPosted: Tue Jul 31, 2012 6:11 am 
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c. staley wrote:
My method transfers the ENTIRE song at one time BEFORE it is "played" at a venue. The file is not permanently stored on the KJ's machine.


This method would be far better for a number of reasons. For one, the songs is either there in its entirety, or it isn't. No potential for dropouts, etc.


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PostPosted: Tue Jul 31, 2012 6:51 am 
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c. staley wrote:
chrisavis wrote:
Really surprised that you of all people are debating me on this one, Chip.

It really comes down to the transmission of the content. How the sound and audio gets to the destination is less important than how the source is managed.

I believe I have a viable solution and I am almost willing to run with it and let the powers that be come raise a stink and then defend it. I am looking for some IP attorneys (of which there is no shortage in my area) with which to consult.

-Chris


Why surprised? It's broadcasting by your own admission and it's not allowed. Ask SC if they don't have a problem with it.

The difference in these two ideas is fairly simple:

You want to "play" the disc at home and share, transmit, broadcast, send, stream etc. to the venue as it's happening in real time.

My method transfers the ENTIRE song at one time BEFORE it is "played" at a venue. The file is not permanently stored on the KJ's machine.

There is a fundamental difference between the two.


Again, the distance between the source of the transmission and the display is not something that has ever been limited or questioned. Many of us already use wireless and other means of getting audio/video from a player to a remote display within a club.
Getting the audio/video from a remote location to a club is no different. That is why I don't like the term "streaming" or even "broadcast" because those lend themselves to specific types of technology that do not apply here.

I think the transmission of the file itself would raise eyebrows and is something I considered a long time ago. Basically a digital checkout service. Transfer the file from point a to point b and then back again once it is done playing.

My method uses the original media thus by-passing audits and media-shifting but could be made even simpler using shifted content.

(6) in the case of sound recordings, to perform the copyrighted work pub-
licly by means of a digital audio transmission.


Anyone using HDMI or DVI is doing digital transmission of the video.
Depending on your configuration, you may also be doing digital transmission of the audio.

-Chris

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PostPosted: Tue Jul 31, 2012 6:59 am 
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chrisavis wrote:
(6) in the case of sound recordings, to perform the copyrighted work pub-
licly by means of a digital audio transmission.


Anyone using HDMI or DVI is doing digital transmission of the video.
Depending on your configuration, you may also be doing digital transmission of the audio.


Transmission/rebroadcast can be defined as a much shorter distance than you can imagine.

If you have a very large club for instance, and you run the jukebox to different areas like indoors to the pool room and outdoors to a patio, some performing rights societies (BMI/ASCAP) will consider that a "re-broadcast" and add a premium to your license fee.

You can't play a movie for example at home and watch the output at a bar on the big screen and then claim it falls under fair use as private in-home because that's where the player is.


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PostPosted: Tue Jul 31, 2012 2:24 pm 
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Bazza wrote:
No, no...he wasn't selling anything on eBay. He created a fake auction of SC discs with a stupid high price simply so he could use the description area as an anti-SC soapbox for how he believed he was being screwed over. In this tirade, he described using such a system. There was a lot of discussion about it at the time...


oh yeah i remember that guy, wasn't he the one calling Thunder out?

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PostPosted: Tue Jul 31, 2012 3:34 pm 
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Paradigm Karaoke wrote:
oh yeah i remember that guy, wasn't he the one calling Thunder out?

Yes


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PostPosted: Tue Jul 31, 2012 6:50 pm 
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cueball wrote:
Paradigm Karaoke wrote:
oh yeah i remember that guy, wasn't he the one calling Thunder out?

Yes


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