classickaraoke @ Fri Jul 31, 2009 9:47 am wrote:
If I was disc based I'd be more concerned about the number of dupes as they would be wasted discs, but since the discs stay under lock and key it's no biggie.
Wasted discs isn't so much an issue for me either, it's wasted money on songs that I may get 3 times over with 3 different subscriptions that people don't even want in the first place. That's my main thing - I don't like throwing money away, especially in todays economy.
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As for only buying songs for where I play, that limits my future venues. I want to be able to provide service to the honky tonks, the thrash metal, europop, dance and any other kind of venue.
You should still have a solid base core that has a bit of everything to start with to cover all bases, but if you have current shows & are buying discs not catering to theose customers but for 'possible' future venues, then you could be alienating your current customers needs/wants when they are requesting say some older 80's tunes & you pick up a lot of europop. When I say buy for the venue is exactly that - buy for what the customers in your current clubs WANT to sing. You aren't going to limit anything
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How do you determine when a disc purchase has returned it's investment? 5 plays, 10 plays, 100 plays? This isn't an exact science although I'm sure if pressed (and really really bored) I could work out a formula that would take income from a night down to a per song level and from that get revenue generated per disc or song.
I figure if the disc get used for more than a month than it's a safe bet to say it was a good purchase - even if it was only one or two songs. But I know for a fact that I have discs that have never been touched before (or very rarely) - but these were also discs that were bought when I thought I should have every new song available.