This is a duplicate post - sorry I posted it in the other thread by accident...
This statement is false:
Quote:
"The publishers cannot come after you for copyright infringement of the music because they do not own the copyrights to the karaoke musical works...”
Stingray (and other suppliers of karaoke content) may own 100% of the copyright of the master recordings, but they have no claim whatsoever to the underlying compositions! The publishers own 100% of the compositions (the songs) - and they most certainly can and do sue for copyright infringement if the usage is not licensed!
The “big 3” publishers only control about half of the songs in the catalogs of SC, Stingray, and other similar suppliers - and the rest of the song shares are controlled by hundreds of smaller publishers. No one has any right to sell karaoke recordings of songs in (or into) the US without first securing licenses with ALL of the publishers owning shares of the songs.
Karaoke syncronization licenses are required, and the societies like Harry Fox cannot license karaoke sync. Those rights can only be licensed by the publishers themselves. Note that these licenses have nothing to do with public performance rights (ASCAP/BMI), which are also required, but much easier to obtain.
Further, Copyright Law does NOT allow anyone to make a copy of a recorded composition (such as into a laptop) for professional use - it only allows a consumer to make 1 copy for personal use. So whereas the great concern has been over not getting sued by SC for trademark infringement - the real concern should be over getting sued by publishers for copyright infringement.
And the big question is: Has Kurt Slep’s new company secured licenses with all the publishers for use of the songs that he is currently selling into the US?