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PostPosted: Tue Apr 19, 2011 12:23 pm 
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Sections in blue are from the US supreme Court.

The four factors identified by Congress as especially relevant in determining whether the use was fair are: (1) the purpose and character of the use; (2) the nature of the copyrighted work; (3) the substantiality of the portion used in relation to the copyrighted work as a whole; (4) the effect on the potential market for or value of the copyrighted work. Harper & Row, Publrs. v. Nation Enters., 471 U.S. 539, 560-561 (U.S. 1985)

I believe factors one and four are most important here.

The fact that a publication was commercial as opposed to nonprofit is a separate factor that tends to weigh against a finding of fair use. "[Every] commercial use of copyrighted material is presumptively an unfair exploitation of the monopoly privilege that belongs to the owner of the copyright." Id. Quoting Sony Corp. of America v. Universal City Studios, Inc., 464 U.S., at 451.

COMMERCIAL USE MAY BE PRESUMPTIVELY AN UNFAIR USE, BUT THAT IS NOT THE END OF THE ANALYSIS. YOU (THUNDER) SEEM TO STOP THERE.

THAT PRESUMPTION MAY BE OVERCOME.

BACK TO THE US SUPREME COURT (PAY VERY CLOSE ATTENTION TO THIS PART THUNDER)

The crux of the profit/nonprofit distinction is not whether the sole motive of the use is monetary gain but whether the user stands to profit from exploitation of the copyrighted material without paying the customary price. Harper & Row, Publrs. v. Nation Enters., 471 U.S. 539, 562 (U.S. 1985); See also Roy Export Co. Establishment v. Columbia Broadcasting System, Inc., 503 F.Supp., at 1144; 3 Nimmer § 13.05[A][1], at 13-71, n. 25.3;

A 1-1 KJ paid the customary price for the copyrighted material.

Back to the USSC:

Effect on the Market. Finally, the Act focuses on "the effect of the use upon the potential market for or value of the copyrighted work." This last factor is undoubtedly the single most important element of fair use. n9 See 3 Nimmer § 13.05[A], [**2234] at 13-76, and cases cited therein. HN24"Fair use, when properly applied, is limited to copying by others which does not materially impair the marketability of the work which is copied." 1 Nimmer § 1.10[D], at 1-87. Harper & Row, Publrs. v. Nation Enters., 471 U.S. 539, 567 (U.S. 1985)


Again, A 1-1 KJ paid the customary price for the copyrighted material (CD+G discs). The only argument that a 1-1 media shift materially impairs the marketability of the work copied is the argument that the KJ who 1-1 shifted CD+G product to MP3+G will not re-purchase the same tracks as downloads or other files in MP3 format specifically for computer use in the future.


I am NOT an IP attorney and this is NOT legal advice.


Last edited by Singyoassoff on Tue Apr 19, 2011 12:29 pm, edited 2 times in total.

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PostPosted: Tue Apr 19, 2011 12:26 pm 
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Singyoassoff,
Let me "decode" Thunder's real message(s) to you:

WHAT HE SAID:
Thunder wrote:
Finally you hit it exactly right!

WHAT HE REALLY MEANS:
He uses the word "finally" to imply that in his infinite wisdom, he's always known and has been quietly sitting by waiting for the light to come on in that thick skull of yours. (i.e. you are "grasshopper")

WHAT HE SAID:
Thunder wrote:
Purely by accident I am sure.

WHAT HE REALLY MEANS:
You are such an idiot that the only way you could possibly figure any of this out is if you tripped over it or someone hit you over the head with it.

WHAT HE SAID:
Thunder wrote:
And the Intellectual Property actually belongs to the copyright and trademark holders and the law states that they and they alone have the power to authorize copies of that product!

WHAT HE REALLY MEANS:
He doesn't have a clue, but it sounds official.

The above is a typical method for Thunder to insert something into a conversation/discussion that he has been absent from. He wants to remind you that he is in fact, present and that he knows more than anyone in the entire world about everything in the universe. It is his method of passive-agressive cyber bullying.

Please ignore it whenever possible.


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PostPosted: Tue Apr 19, 2011 12:40 pm 
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Thunder wrote:
When you put that file onto a computer did you take it out of the container? If so then it would no longer be on the physical disc, if it is still on the physical disc then you didn't take it out of the container you made a copy of it. If it is still on the physical disc and also on your computer and the fact is you made a copy of it, then that is where the required permission comes in.

The manus SC, CB, PHM, etc. pay the intellectual property owners of the songs and lyrics to make "copies" of those songs and put them onto a CDG, correct?

By the same token would not the manus also be justified in charging us a nominal fee to make copies of their product to use in a format different from what they delivered it in as well?


So the disk is the container, but it really isn't ... nevermind

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Last edited by hiteck on Tue Apr 19, 2011 12:43 pm, edited 1 time in total.

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PostPosted: Tue Apr 19, 2011 12:51 pm 
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IMHO, the Trademark claim is intertwined with the copyright claim because the trademark is attached to the IP.

If media/format shifting is fair use, the display of the trademark attached to the format/media shifted file is secondary.

The crux of trademark law is deception.

"A trademark is a word, symbol, or phrase, used to identify a particular manufacturer or seller's products and distinguish them from the products of another." 15 U.S.C. 1127

If a party owns the rights to a particular trademark, that party can sue subsequent parties for trademark infringement. 15 U.S.C. 1114, 1125. The standard is "likelihood of confusion." To be more specific, the use of a trademark in connection with the sale of a good constitutes infringement if it is likely to cause consumer confusion as to the source of those goods or as to the sponsorship or approval of such goods. In deciding whether consumers are likely to be confused, the courts will typically look to a number of factors, including: (1) the strength of the mark; (2) the proximity of the goods; (3) the similarity of the marks; (4) evidence of actual confusion; (5) the similarity of marketing channels used; (6) the degree of caution exercised by the typical purchaser; (7) the defendant's intent. Polaroid Corp. v. Polarad Elect. Corp., 287 F.2d 492 (2d Cir.), cert. denied, 368 U.S. 820 (1961).

In a 1-1 format shift, no product deception is involved. The IP is being used as intended, played through speakers while people sing along. The only difference is the "container" used. A hdd versus a cd.

AGAIN, IMHO The only argument SC or CB has that a true 1-1 format/media shift causes damages is that those of us who have done so will not re-purchase songs we already own in the new format. That is the issue. Because without damages, the suit falls flat on it's face.

I am NOT an IP attorney and this is NOT legal advice.


Last edited by Singyoassoff on Tue Apr 19, 2011 12:56 pm, edited 1 time in total.

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PostPosted: Tue Apr 19, 2011 12:55 pm 
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Singyoassoff wrote:
Sections in blue are from the US supreme Court.

The four factors identified by Congress as especially relevant in determining whether the use was fair are: (1) the purpose and character of the use; (2) the nature of the copyrighted work; (3) the substantiality of the portion used in relation to the copyrighted work as a whole; (4) the effect on the potential market for or value of the copyrighted work. Harper & Row, Publrs. v. Nation Enters., 471 U.S. 539, 560-561 (U.S. 1985)

I believe factors one and four are most important here.

The fact that a publication was commercial as opposed to nonprofit is a separate factor that tends to weigh against a finding of fair use. "[Every] commercial use of copyrighted material is presumptively an unfair exploitation of the monopoly privilege that belongs to the owner of the copyright." Id. Quoting Sony Corp. of America v. Universal City Studios, Inc., 464 U.S., at 451.

COMMERCIAL USE MAY BE PRESUMPTIVELY AN UNFAIR USE, BUT THAT IS NOT THE END OF THE ANALYSIS. YOU (THUNDER) SEEM TO STOP THERE.

THAT PRESUMPTION MAY BE OVERCOME.

BACK TO THE US SUPREME COURT (PAY VERY CLOSE ATTENTION TO THIS PART THUNDER)

The crux of the profit/nonprofit distinction is not whether the sole motive of the use is monetary gain but whether the user stands to profit from exploitation of the copyrighted material without paying the customary price. Harper & Row, Publrs. v. Nation Enters., 471 U.S. 539, 562 (U.S. 1985); See also Roy Export Co. Establishment v. Columbia Broadcasting System, Inc., 503 F.Supp., at 1144; 3 Nimmer § 13.05[A][1], at 13-71, n. 25.3;

A 1-1 KJ paid the customary price for the copyrighted material.

Back to the USSC:

Effect on the Market. Finally, the Act focuses on "the effect of the use upon the potential market for or value of the copyrighted work." This last factor is undoubtedly the single most important element of fair use. n9 See 3 Nimmer § 13.05[A], [**2234] at 13-76, and cases cited therein. HN24"Fair use, when properly applied, is limited to copying by others which does not materially impair the marketability of the work which is copied." 1 Nimmer § 1.10[D], at 1-87. Harper & Row, Publrs. v. Nation Enters., 471 U.S. 539, 567 (U.S. 1985)


Again, A 1-1 KJ paid the customary price for the copyrighted material (CD+G discs). The only argument that a 1-1 media shift materially impairs the marketability of the work copied is the argument that the KJ who 1-1 shifted CD+G product to MP3+G will not re-purchase the same tracks as downloads or other files in MP3 format specifically for computer use in the future.


I am NOT an IP attorney and this is NOT legal advice.



I believe that we have been over this one before. BTW the case in question that you are pulling quotes from the defendant LOST.

You seem to think I stop at the commercial aspect of this issue but you are incorrect. Let's break it down and compare it to the use of the product by a KJ.

(1) the purpose and character of the use;

What the KJs purpose and use of the karaoke product? My purpose is to make profit from it's use.... commercial!

(2) the nature of the copyrighted work;

What I use is an audio visual work! Which has specific protections under the copyright laws. But there is also a trademark involved which under the Lanham Act has even more specific protections in the copy and use of.

(3) the substantiality of the portion used in relation to the copyrighted work as a whole;

This is the biggie here, what portion of the product is actually used by the KJ? Now as already stated the CDG is just a container, so let's go with that one, on a 15 song CDG disc (container) there are 30 products to play one song you are using two products the Song file and the Graphics file. Now how much of each of the products for let's say "Total Eclipse Of The Heart" does a KJ use? 10%, 30%, 60% or maybe 100%? In any fair use case you can pull up, this one point is going to be the most critical in any decision by the courts, even in the one you are qouting from the two points which decided the case was the 10% of the words from the book and the fact that it was used in a newspaper the purpose of which was to make a profit.

(4) the effect on the potential market for or value of the copyrighted work.

What is the effect of copying on the market of karaoke? well if you want to get right down to the bottom line this thread covers it. Chartbuster (according to some) is charging KJs $199 per year to make and use copies of their product, by running without that permission and NOT paying CB for it each KJ doing so has deprived CB of their right to grant that permission and also of $199 for each year they are doing so.


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PostPosted: Tue Apr 19, 2011 1:01 pm 
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Thunder wrote:
What is the effect of copying on the market of karaoke? well if you want to get right down to the bottom line this thread covers it. Chartbuster (according to some) is charging KJs $199 per year to make and use copies of their product, by running without that permission and NOT paying CB for it each KJ doing so has deprived CB of their right to grant that permission and also of $199 for each year they are doing so.


So now the issue isn't piracy, but re-charging us for products we already paid for? Seems like some in here have been stating something like that all along.


Last edited by Singyoassoff on Tue Apr 19, 2011 1:04 pm, edited 1 time in total.

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PostPosted: Tue Apr 19, 2011 1:04 pm 
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Singyoassoff wrote:
Thunder wrote:
What is the effect of copying on the market of karaoke? well if you want to get right down to the bottom line this thread covers it. Chartbuster (according to some) is charging KJs $199 per year to make and use copies of their product, by running without that permission and NOT paying CB for it each KJ doing so has deprived CB of their right to grant that permission and also of $199 for each year they are doing so.


So now the issue isn't piracy, but re-charging us for products we already paid for? Seems like some in here have been stating that all along.



You need to make up your mind on which it is?

You are the one who keeps bringing up "fair use", insteads of making off hand comments, how about doing something that you should be good at as an attorney, make an argument for your case. I did! I was simply following your lead, if that isn't where you want it to go then why did you go there?


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PostPosted: Tue Apr 19, 2011 1:13 pm 
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Thunder wrote:
BTW the case in question that you are pulling quotes from the defendant LOST.



And that changes the application of the law in that case to the issue of format/media shifting?

The facts of each case are different. It is the application of the law to the facts of each individual case that determines the outcome.

I applied the law to the facts of format/media shifting as I think it should be. A judge may decide differently. Hell, two different judges could easily decide the issue differently.

I am finished arguing with you, it is pointless.


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PostPosted: Tue Apr 19, 2011 1:24 pm 
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But I will take your new line on as well.

Quote:
So now the issue isn't piracy, but re-charging us for products we already paid for? Seems like some in here have been stating that all along.


How do you fight piracy?
You do it by identifying the pirates and going after them!

How do you identify the pirates?
The easiest method is to identify those who are not pirates, then everything left can be considered a pirate!

So what would be the simplest method to identify the legal KJs?
The simplest method would be to have them identify themselves!

What possible method could be used that would allow a KJ to identify themselves as legal without the possiblity of a cheat.
Since pirates by nature want to steal things and not pay for them the best method would be to charge a nominal fee for permission to transfer the product to another format and enforce an audit to make sure that the person and system in question is on the up and up. The pirates didn't want to pay for their music and they aren't going to want to pay a fee for permission to shift as well as having to purchase the disc to go through an audit. If the disc are marked for one pirate who is sharing disc (with five others) to go through an audit what happens when the other four try to cheat on the audit?

It looks like a great approach to the problem to me!


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PostPosted: Tue Apr 19, 2011 1:29 pm 
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Singyoassoff wrote:
Thunder wrote:
BTW the case in question that you are pulling quotes from the defendant LOST.



And that changes the application of the law in that case to the issue of format/media shifting?

The facts of each case are different. It is the application of the law to the facts of each individual case that determines the outcome.

I applied the law to the facts of format/media shifting as I think it should be. A judge may decide differently. Hell, two different judges could easily decide the issue differently.

I am finished arguing with you, it is pointless.



Instead of declaring a debate pointless why not put forward an actual argument on the merits as you see them. So far I have seen you qoute from Judical discussions (but not the actual rulings) and state this is the way it is (IMO) and when someone makes an actual arguement contrary to your position, you throw up your hands and say it is pointless.

I thought you were an attorney, it should be in your nature to argue these points to make your case! :mrgreen:


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PostPosted: Tue Apr 19, 2011 1:41 pm 
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going back t not replacing discs being the damages, how am i damaging anyone by not replacing SC8583, SC8373, SC8225, SC8221, SC8456, SC8300, SC8172, , SC3176, SC3291, SC8864, CB60016, CB40034, CB60220, CB60128, CB6001, CB90080, CB60344, CB60349....etc.....etc?
no matter how nicely i ask, they can not print any more of them. no money is lost from re-buying them as i can not re-buy them. all stock of those discs have been already purchased from their respective manus already so they can lose no money.

can we go back to the original post? has anyone heard anything more about this from CB themselves?

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PostPosted: Tue Apr 19, 2011 1:43 pm 
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Decoding Thunder for spectators:


WHAT HE SAID
Thunder wrote:
Instead of declaring a debate pointless why not put forward an actual argument on the merits as you see them.

WHAT HE REALLY MEANS
"I'm smarter than you... neener, neener, neener!"

WHAT HE SAID
Thunder wrote:
So far I have seen you qoute from Judical discussions (but not the actual rulings) and state this is the way it is (IMO) and when someone makes an actual arguement contrary to your position, you throw up your hands and say it is pointless.

WHAT HE REALLY MEANS
"You don't know how to read or comprehend what you read and when I use my brilliance against you, you have no choice other than to slink away in the hole you crawled out of."

WHAT HE SAID
Thunder wrote:
I thought you were an attorney, it should be in your nature to argue these points to make your case! :mrgreen:

WHAT HE REALLY MEANS

"Your law schooling is a complete waste against me..... come back when you have a real argument"


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PostPosted: Tue Apr 19, 2011 1:44 pm 
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I did not realize that anyone was asking us to replace any damaged disc, I guess I missed that one! I have many disc that I could not rip to my computer because they were damaged, so I simply don't have those songs even though I would like too.
I had some that I had made copies of because of cracks starting in the center and from experience I knew they weren't going to last long and was able to rip from the copies. I also had songs on my system that are useless because they were ripped from disc that had damage to them. What I do is simply do without those songs.
The one thing I can say is that none of my disc have received any more damage since I ripped them to the computer, how did your's get damaged after the fact? If it is a matter of storage you may need to look at another method of storing them!

Paradigm Karaoke wrote:
can we go back to the original post? has anyone heard anything more about this from CB themselves?



Not a word but I haven't asked anyone directly either, however I will send David an E-mail with the link to this thread and ask him directly what they are looking for?


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PostPosted: Tue Apr 19, 2011 1:55 pm 
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Thunder wrote:
But I will take your new line on as well.

Quote:
How do you identify the pirates?
The easiest method is to identify those who are not pirates, then everything left can be considered a pirate!



I would rather not be assumed guilty until I prove myself innocent to whomever wants to search me for whatever reason they care to make up.
And I'd rather not pay to prove my innocence anytime somebody feels like leveling a broad accusation.
And I'd certainly not want to pay anybody to not make accusations in the first place.
I just don't have enough money or time to keep up where this seems to be going.

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PostPosted: Tue Apr 19, 2011 2:00 pm 
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Paradigm Karaoke wrote:
can we go back to the original post? has anyone heard anything more about this from CB themselves?


The original post was based on info I found on CB's website.
Apparently you must be a registered user and logged in to view the info.

Go to certified KJ's page and then click get certified.
Here is the verbiage displayed above the form you are required to fill out requesting the audit.
Quote:
Thank you for your interest in becoming a Chartbuster Karaoke Certified Karaoke Show Host (KJ).

Successful applicants to the program enjoy these benefits:

* Certification that your Chartbuster Karaoke library of tracks meets the standards of our commercial and media shifting policies.
* An audit of each system your KJ or hosting service operates for certification purposes.
* Your business listed in a publicly-viewable, nationwide database of certified show hosts.
* A unique presentation certificate, suitable for framing, declaring your certification.
* Permission to display the Chartbuster Karaoke certification seals on your website and promotional materials.

The annual cost for application to the program is $199 for each system that the KJ/hosting service operates. This non-refundable fee covers the cost of auditing and certifying each system. We only certify systems in the United States, and we reserve the right to refuse certification to non-qualifying applicants at our sole discretion, or to modify or discontinue the program at any time for any reason. Certifications are valid for one calendar year from the date of certification, and expire annually on that date. The fee is applicable to each system to be certified – multiple systems will each require their own certification. You must apply each year to maintain your certification.

To apply for certification, you must complete the form below in its entirety. All fields are required or your application will be rejected. You will also be asked to submit a complete song list exported from your system(s) in a comma-delimited or Microsoft Excel format, in order for your system(s) to be properly audited. You may also need a web camera and a (free) Skype account, if you do not wish or cannot afford to have your audit conducted at our offices.

If your application is accepted, you will be contacted to determine how and when your audit will be conducted, and if necessary given guidance on how to export your song list for auditing purposes. Once your application and fee has been processed, your audit will be conducted as scheduled. If your audit indicates that your system(s) meet our commercial and media-shifting policies, your application will be approved, you will be added to our national database, and granted the right to use certain materials in promoting your business as a Chartbuster Karaoke officially-certified enterprise.

To begin the application process, start by filling out the information below. When you hit “SUBMIT”, the application fee will be added to your shopping cart. You must complete the checkout process for your application to be processed.

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PostPosted: Tue Apr 19, 2011 2:05 pm 
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i saw it Hiteck, i was looking for CB to answer the WTF and see if anything else is included in the fee to make it worth us paying it next year. i am with Athena, if that is all there is, i ain't buyin' it, but if there is more.....perhaps.

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PostPosted: Tue Apr 19, 2011 2:08 pm 
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Thunder wrote:
I did not realize that anyone was asking us to replace any damaged disc, I guess I missed that one! I have many disc that I could not rip to my computer because they were damaged, so I simply don't have those songs even though I would like too.
I had some that I had made copies of because of cracks starting in the center and from experience I knew they weren't going to last long and was able to rip from the copies. I also had songs on my system that are useless because they were ripped from disc that had damage to them. What I do is simply do without those songs.
The one thing I can say is that none of my disc have received any more damage since I ripped them to the computer, how did your's get damaged after the fact? If it is a matter of storage you may need to look at another method of storing them!

Paradigm Karaoke wrote:
can we go back to the original post? has anyone heard anything more about this from CB themselves?



Not a word but I haven't asked anyone directly either, however I will send David an E-mail with the link to this thread and ask him directly what they are looking for?



As far as damages and disks go I think he meant damages cause to CB by shifting the media on tracks they can no longer sale either on CDG or any other format due to no longer having licensinsg (discontinued tracks). If they can't sale the tracks any longer their is no lost revenue (damages). Atleast that's what I think he meant.

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Last edited by hiteck on Tue Apr 19, 2011 2:15 pm, edited 1 time in total.

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PostPosted: Tue Apr 19, 2011 2:09 pm 
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c. staley wrote:
Decoding Thunder for spectators:


WHAT HE SAID
Thunder wrote:
Instead of declaring a debate pointless why not put forward an actual argument on the merits as you see them.

WHAT HE REALLY MEANS
"I'm smarter than you... neener, neener, neener!"

WHAT HE SAID
Thunder wrote:
So far I have seen you qoute from Judical discussions (but not the actual rulings) and state this is the way it is (IMO) and when someone makes an actual arguement contrary to your position, you throw up your hands and say it is pointless.


Jian,

You warn me for violations of the TOS so I tone it all down, yet you let this stuff continue on a daily basis?

I have stopped responding to this sort of crap because when I do respond suddenly I find myself banned.

I am holding myself to the confines of discussion without bringing personality or personal attacks into this board and up to this point I have simply ignored the dogs that are nipping at my heels simply because they are more like a bunch of chiwawas, more annoying than anything else.

You issued a warning to me for this statement
Quote:
'To be honest, I don't believe any longer that Chip is operating as a pirate. Now do you feel better?'
Yet you continue to allow post like the one above to be made by Chip, Joe C. and others without check!

So I can't help but ask, as a moderator do you apply the rules across the board or do you pick and choose who you enforce them against?

Now can I expect to be banned for making an attack on a "moderator" or will this post simply disappear?


Last edited by Thunder on Tue Apr 19, 2011 2:15 pm, edited 1 time in total.

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PostPosted: Tue Apr 19, 2011 2:14 pm 
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earthling12357 wrote:
Thunder wrote:
But I will take your new line on as well.

Quote:
How do you identify the pirates?
The easiest method is to identify those who are not pirates, then everything left can be considered a pirate!



I would rather not be assumed guilty until I prove myself innocent to whomever wants to search me for whatever reason they care to make up.
And I'd rather not pay to prove my innocence anytime somebody feels like leveling a broad accusation.
And I'd certainly not want to pay anybody to not make accusations in the first place.
I just don't have enough money or time to keep up where this seems to be going.



And I certainly agree with you, if you don't want to go through the "voluntary" audit and certification program there certainly isn't anything in there that says you will be forced to "volunteer"!

The program is there for those who "wish" to do it.


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PostPosted: Tue Apr 19, 2011 2:15 pm 
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gd123 wrote:
Substitute SC with Chartbuster and you will see the end result.

Simply, it's not allowing any of these Karaoke Companies access to your business.

Hasn't SC been conducting Audits?

Who did you expect was next.

Besides, where is the request for THUNDER's lengthy diatribe explanation where the only time Chartbuster is mentioned is the POST SUBJECT?
Quote:
Post subject: Re: Chartbuster wants you to pay to be audited?!?


Great post, gd123- Thanks! You'll note that there was no attempt to refute by Wall.....

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