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chrisavis
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Posted: Tue Dec 20, 2011 9:03 am |
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Joined: Fri Dec 02, 2011 12:38 pm Posts: 6086 Images: 1 Location: Redmond, WA Been Liked: 1665 times
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The down side to the GEM series is that it is actually a revocable license. From Paragraph 4 of the "LICENSE AGREEMENT FOR SOUND CHOICE® GEM SERIES MP3G KARAOKE TRACKS" Quote: PURPOSE OF AGREEMENT. The purpose of this Agreement is to state the terms under which we permit you to acquire and use MP3G format karaoke tracks from the Sound Choice® GEM Series. This is a license agreement, not a contract for sale. Legal ownership of the physical discs will remain with Sound Choice, and the Agreement will permit you to have physical possession and use of the discs and their contents, with restrictions, for a specific period of time. You are responsible for adhering to the terms of this Agreement during the entire time you have possession of the media. A breach of your obligations may result in legal action against you. As such, it is feasible (though I suspect highly unlikely) that Sound Choice could revoke the license at any time and for any reason. If you own the original media you are not subject to such a restriction. This is one reason why I have not bought into the GEM series (yet) and prefer to buy physical Sound Choice discs. -Chris
_________________ -Chris
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JimHarrington
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Posted: Tue Dec 20, 2011 9:44 am |
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Joined: Wed Aug 03, 2011 8:59 am Posts: 3011 Been Liked: 1003 times
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chrisavis wrote: As such, it is feasible (though I suspect highly unlikely) that Sound Choice could revoke the license at any time and for any reason. If you own the original media you are not subject to such a restriction.
If you read carefully, you'll see that the license can only be revoked for a breach, and there is a notice and cure period except for defaulting on a payment agreement. It cannot be revoked "at any time and for any reason."
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Bazza
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Posted: Tue Dec 20, 2011 9:47 am |
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Joined: Mon Nov 24, 2008 8:00 am Posts: 3312 Images: 0 Been Liked: 610 times
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chrisavis wrote: The down side to the GEM series is that it is actually a revocable license.
From Paragraph 4 of the "LICENSE AGREEMENT FOR SOUND CHOICE® GEM SERIES MP3G KARAOKE TRACKS"
<SNIP>
As such, it is feasible (though I suspect highly unlikely) that Sound Choice could revoke the license at any time and for any reason. If you own the original media you are not subject to such a restriction. Any licensee of any product has a similar stipulation. If you own a restaurant and sign a license agreement to serve Coca-Cola products, you can bet there is a clause in there that says they can pull it if you don't abide by the terms of the agreement. I have zero fear of SC ever asking for my GEM discs back or even charging me the $33 annual re-license fee. Then again I also don't plan on breaking the agreement by pirating or multi-rigging the set. Quote: This is one reason why I have not bought into the GEM series (yet) and prefer to buy physical Sound Choice discs. Which is perfectly cool...but you will pay 3X the price as well.
Last edited by Bazza on Tue Dec 20, 2011 9:58 am, edited 1 time in total.
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Alex
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Posted: Tue Dec 20, 2011 9:47 am |
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Joined: Tue Jan 22, 2008 10:40 am Posts: 1094 Songs: 1 Location: West Palm Beach, FL Been Liked: 53 times
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HarringtonLaw wrote: Xen0saga wrote: Thank you for this information. Perhaps you can shed some further light……A KJ owns only 1 computer, has spent thousands of dollars on original Sound Choice CDGs, is 1:1 compliant, and has retired said CDGs to storage after uploading to the computer. This KJ did not get Sound Choice’s permission to media shift and then goes out to run a commercial karaoke show. During the course of that show, the KJ shows Sound Choice’s trademark twice for every Sound Choice track requested. Keeping in mind that regardless of where the trademark originated it ends up in the same place, the television monitor that the singers use to see the song lyrics, and looks exactly the same. Meaning, anyone looking at the monitor would have no way of knowing if the trademark came from the media shifted track or from the original CDG and, as such, there could be no evidence that the use of the trademark would be “likely to cause confusion, or to cause mistake, or to deceive.”
I've explained elsewhere on this board within the last week that "likelihood of confusion" does not necessarily mean "actual confusion" or what we would think of as confusion in normal everyday use of the word. When that mark is displayed, it signals to the public that SC made the thing being displayed (or authorized it to be made). But in your example, SC did not make the file that's being played. The KJ did. If SC doesn't have the ability to permit (or refuse to permit) that, then the power of the trademark to signify the source of goods is lessened, and SC's right--codified in 15 U.S.C. § 1115(a)--to the exclusive use of the mark and to control how it is used is called into question. Xen0saga wrote: Conceptually speaking, in the scenario above 1) Why does this KJ need Sound Choice’s permission to media shift and, 2) How does the unapproved media shifting cause Sound Choice to suffer monetary losses?
1. Because SC needs to be able to control the commercial use of its trademarks. 2. By itself, media-shifting doesn't result in direct monetary losses. But SC has spent a lot of time and money building a product that is very, very good, if not the very best in the industry. Because trademarks are used to differentiate between similar products, trademarks are often said to be a symbol of business goodwill, which is a valuable asset. If the SC marks can be used outside of SC's control, the value of goodwill associated with the marks goes down, because the purchasing public cannot trust that the SC marks mean quality under the control of SC. Even if the KJ is scrupulous in not lessening the quality of the product, it is still outside SC's control when he makes his copies. Aside from the economic damage (lessening of the value of business goodwill), the Trademark Act also provides for injunctive relief. In many trademark disputes, particularly those that do not involve counterfeiting, the courts do not award money damages at all, but simply order the junior user to stop using the mark. Xen0saga wrote: Oh, and one other thing....I'd be thrilled to know what your answer is to my original question in this post. Do YOU believe that a computer based KJ could be legal without being "certified" by Sound Choice?
Well, yes, in two ways. One is if you don't use SC. The other is if you confine your use of SC to the GEM series only, and you are a GEM series licensee. Licensees under the GEM program do not need to be "certified" because the GEM program is self-certifying; the media-shifting authorization is built into your purchase of the license. If you are running using SC content you have media-shifted from CDGs, you need to be certified by SC to be 100% legal. Ok, so if I understand this correctly, it is all about the trademark being shown on a computer with backup copy on a hard drive of the original disk. Yet, SC would stop the law suit if I can prove I have a 1:1 corresponding disk for all the tracks on my hard drive. That doesn't change the trademark fact though. And again, everything is about copyright, not trademark in the end. Does no one see that? Am I wrong?
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Alex
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Posted: Tue Dec 20, 2011 9:55 am |
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Joined: Tue Jan 22, 2008 10:40 am Posts: 1094 Songs: 1 Location: West Palm Beach, FL Been Liked: 53 times
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Even though the newer SC disks come with that sticker to "not copy this disk to a computer" and "buy the GEM series and we give you a discount based on your original disks".... it is to no use to me. The GEM comes with max. only 6000 unique SC songs. As of now I have about 9,000 unique SC songs, that's a good 50% more unique songs than the GEM series offers. And besides SC would have to pay me on top if I'd send my disks back to get the GEM series, say about 50% which equals about $3000? Just a thought...
And that pisses me off! I collect Karaoke disks for almost 15 years now, and a good amount of my disks is SC. All of a sudden SC gets an itching in their back and now they're saying, I can't use those in a computer environment anymore and have to use the original disks. I have about 9,000 disks. How the hell am I supposed to run my shows with physical disks??? Explain that to me! Not even mentioned the factor of risking my investment by using the original disks. THIS is logical and a very good argument for a judge, bet you a dollar for a holla!
Last edited by Alex on Tue Dec 20, 2011 9:59 am, edited 1 time in total.
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JimHarrington
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Posted: Tue Dec 20, 2011 9:57 am |
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Joined: Wed Aug 03, 2011 8:59 am Posts: 3011 Been Liked: 1003 times
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Sevarin wrote: Yet, SC would stop the law suit if I can prove I have a 1:1 corresponding disk for all the tracks on my hard drive. That doesn't change the trademark fact though. And again, everything is about copyright, not trademark in the end.
SC will stop the lawsuit if you submit to an audit that results in your being confirmed to be at 1:1...and yes, that does change the trademark fact, because the result is an authorization from SC on particular terms. Your use of the trademark is no longer "unauthorized" after that point, as long as you continue to adhere to the media-shifting policy.
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Alex
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Posted: Tue Dec 20, 2011 10:00 am |
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Joined: Tue Jan 22, 2008 10:40 am Posts: 1094 Songs: 1 Location: West Palm Beach, FL Been Liked: 53 times
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Yet, for the customer it doesn't make a difference. Authorized or not authorized. He would still be exposed to a copy of the original trademark and could get sick from it or get cancer or something... gee...
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chrisavis
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Posted: Tue Dec 20, 2011 10:10 am |
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Joined: Fri Dec 02, 2011 12:38 pm Posts: 6086 Images: 1 Location: Redmond, WA Been Liked: 1665 times
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Bazza wrote: Which is perfectly cool...but you will pay 3X the price as well. You must be the person that walks into the car dealership and agrees to pay sticker price. I know how to deal and haggle. EVERYTHING is negotiable. I just bought Sound Choice Foundation 1&2 plus Bricks 1-5 for $600 (from a KJ getting out of the business). That is less than 1/2 of retail based upon SC prices on their web site. I posted in another thread that I have picked up very large collections of original media for about $1 a disc. I will say it again....Craigslist and eBay are your friends. Especially this time of year when people REALLY want to deal. -Chris
_________________ -Chris
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Bazza
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Posted: Tue Dec 20, 2011 10:17 am |
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Joined: Mon Nov 24, 2008 8:00 am Posts: 3312 Images: 0 Been Liked: 610 times
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chrisavis wrote: Bazza wrote: Which is perfectly cool...but you will pay 3X the price as well. You must be the person that walks into the car dealership and agrees to pay sticker price. I know how to deal and haggle. EVERYTHING is negotiable. ...OK. Keep track of your costs and let me know when you get all 6000 GEM songs. Then we will compare.
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birdofsong
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Posted: Tue Dec 20, 2011 10:27 am |
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Joined: Sun Mar 08, 2009 9:25 am Posts: 965 Been Liked: 118 times
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Bazza wrote: chrisavis wrote: Bazza wrote: Which is perfectly cool...but you will pay 3X the price as well. You must be the person that walks into the car dealership and agrees to pay sticker price. I know how to deal and haggle. EVERYTHING is negotiable. ...OK. Keep track of your costs and let me know when you get all 6000 GEM songs. Then we will compare. That's only a big deal if they are 6000 songs that everyone wants to sing. You don't exactly get to pick and choose, and there are songs in that collection that are collecting a bunch of dust. So since you got youre gem series, how many songs out of the 6000 have been requested?
_________________ Birdofsong
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chrisavis
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Posted: Tue Dec 20, 2011 10:41 am |
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Joined: Fri Dec 02, 2011 12:38 pm Posts: 6086 Images: 1 Location: Redmond, WA Been Liked: 1665 times
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Bazza wrote: chrisavis wrote: Bazza wrote: Which is perfectly cool...but you will pay 3X the price as well. You must be the person that walks into the car dealership and agrees to pay sticker price. I know how to deal and haggle. EVERYTHING is negotiable. ...OK. Keep track of your costs and let me know when you get all 6000 GEM songs. Then we will compare. Keep track of your costs and let me know when all 6000 of those songs get played more than once each. I imagine there are many, many tracks in that 6000 that will never be heard. -Chris
_________________ -Chris
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Bazza
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Posted: Tue Dec 20, 2011 11:01 am |
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Joined: Mon Nov 24, 2008 8:00 am Posts: 3312 Images: 0 Been Liked: 610 times
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chrisavis wrote: Keep track of your costs and let me know when all 6000 of those songs get played more than once each. I imagine there are many, many tracks in that 6000 that will never be heard.
-Chris Keep track of your costs and let me know when all of your Foundation songs get played more than once each. I imagine there are many, many tracks that will never be heard. Bird: Have every one of the songs you own been sung more than once? We ALL have songs that will rarely/never be sung unless you have never bought a full disc or set in your career.
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chrisavis
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Posted: Tue Dec 20, 2011 11:30 am |
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Joined: Fri Dec 02, 2011 12:38 pm Posts: 6086 Images: 1 Location: Redmond, WA Been Liked: 1665 times
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In that case it ultimately comes down to the cost per disc or per strack that one pays. I would put my cost per track (for legal hosters) up against anyone. And that would include averaging in the cost of my CAP agreement and the Chartbuster 12000+ Drive purchases I made.
I am currently working on picking up an immaculate 1000 disc collection for less than $2000. More than 500 of the discs are Sound Choice and Chartbusters and it also includes a DK 1-99 Set.
You just have to know where to look and how to haggle.
-Chris
_________________ -Chris
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c. staley
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Posted: Tue Dec 20, 2011 11:39 am |
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Joined: Thu Jun 06, 2002 7:26 am Posts: 4839 Location: In your head rent-free Been Liked: 582 times
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chrisavis wrote: In my opinion, getting certified means the host has taken the extra step to contact the manufacturers and demonstrate compliance. In return they get some extra marketing power to show to venues and patrons that they are in it for the long haul and they are worth the investment. I disagree. Your precious "certification" is nothing more than a sales receipt. Nothing more. The term "certification" is usually thought of as some type of prerequisite whether it's formal instruction, knowledge and/or practical testing to show even the minimum proficiency to call yourself a "professional." You don't have to be proficient in anything other than being able to prove that you can write a cashable check. You don't have to know anything else, period. No knowledge of the even the basic shape of a microphone, speaker, volume knob or wall plug is required. You don't even have to own a computer or karaoke player to be a "certified KJ" do you? Nope. All it takes is money. It's nothing more than a sham that you've all fallen for - IMHO. It's nothing more than a sales receipt, and now it's a sales receipt you have to pay for.... It's a certification alright, "certified protection money" in my OPINION.
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c. staley
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Posted: Tue Dec 20, 2011 11:42 am |
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Joined: Thu Jun 06, 2002 7:26 am Posts: 4839 Location: In your head rent-free Been Liked: 582 times
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Bazza wrote: Bird: Have every one of the songs you own been sung more than once? I doubt it. But I can tell you this: Every one of the songs we own is only paid for once and only once. Forever.
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timberlea
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Posted: Tue Dec 20, 2011 12:04 pm |
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Joined: Wed Sep 04, 2002 12:41 pm Posts: 4094 Location: Dartmouth, Nova Scotia, Canada Been Liked: 309 times
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Quote: Yet, for the customer it doesn't make a difference. Authorized or not authorized. It may not to a customer, no more than if a host has a completely pirated library. They just want to sing. The key word, whether for Trademark or Copyright is "permission". Permission may be given for free or at a price.
_________________ You can be strange but not a stranger
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Paradigm Karaoke
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Posted: Tue Dec 20, 2011 12:26 pm |
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Joined: Thu Aug 12, 2010 6:24 pm Posts: 5107 Location: Phoenix Az Been Liked: 1279 times
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@Harrington,
"2. By itself, media-shifting doesn't result in direct monetary losses. But SC has spent a lot of time and money building a product that is very, very good, if not the very best in the industry. Because trademarks are used to differentiate between similar products, trademarks are often said to be a symbol of business goodwill, which is a valuable asset. If the SC marks can be used outside of SC's control, the value of goodwill associated with the marks goes down, because the purchasing public cannot trust that the SC marks mean quality under the control of SC. Even if the KJ is scrupulous in not lessening the quality of the product, it is still outside SC's control when he makes his copies."
how does this differ from playing a scratched disc through a low quality system? SC has no control over the quality of the track at that point. these are not jabs at you personally, but looking at the thought process of what we are doing "wrong" and why it is so "wrong" compared to worse scenarios that are much more prevalent that are left untouched.
_________________ Paradigm Karaoke, The New Standard.......Shift Happens
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Lonman
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Posted: Tue Dec 20, 2011 12:35 pm |
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Joined: Mon Dec 10, 2001 3:57 pm Posts: 22978 Songs: 35 Images: 3 Location: Tacoma, WA Been Liked: 2126 times
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Bazza wrote: We ALL have songs that will rarely/never be sung unless you have never bought a full disc or set in your career. This is true, but what is collecting dust in Place A, may be the complete opposite in Place B - and those that were hot in place A, are all duds in Place B. This is a weak arguement IMO. A good solid core set like the Foundations or GEM is key. Even in clubs on the same block, what's hot here, may be dust collectors directly next door. You just never know.
_________________ LIKE Lonman on Facebook - Lonman Productions Karaoke & my main site via my profile!
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Alex
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Posted: Tue Dec 20, 2011 12:39 pm |
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Joined: Tue Jan 22, 2008 10:40 am Posts: 1094 Songs: 1 Location: West Palm Beach, FL Been Liked: 53 times
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Totally agree with Lonnie
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Lonman
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Posted: Tue Dec 20, 2011 12:42 pm |
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Joined: Mon Dec 10, 2001 3:57 pm Posts: 22978 Songs: 35 Images: 3 Location: Tacoma, WA Been Liked: 2126 times
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Paradigm Karaoke wrote: how does this differ from playing a scratched disc through a low quality system? SC has no control over the quality of the track at that point. Ha, I remember a kj (disc based in the later 90's) doing just that. Any time a disc would skip he'd pop in on the mic stating " Ah, another fine product from XXX-XXXX". No mind the idiot didn't know how to take care of his stuff and would never think of putting blame on himself. So right there people got the idea that these manus was somehow putting out shotty product.
_________________ LIKE Lonman on Facebook - Lonman Productions Karaoke & my main site via my profile!
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