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PostPosted: Fri Nov 21, 2008 5:15 pm 
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Alex, are you going to have the DriveRack and the BBE duke it out? 8-) Or am I misinterpreting what you are intending the MaxCom to be used for?

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PostPosted: Fri Nov 21, 2008 5:21 pm 
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I just wanna give it that typical BBE boost. Besides, it's a compressor for the Main Out, with a Sidechain Input. Still thinking about playing with that...


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PostPosted: Fri Nov 21, 2008 9:44 pm 
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Sevarin @ Fri Nov 21, 2008 8:21 pm wrote:
I just wanna give it that typical BBE boost. Besides, it's a compressor for the Main Out, with a Sidechain Input. Still thinking about playing with that...

You know the DriveRack does all that for you, right?

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PostPosted: Fri Nov 21, 2008 10:24 pm 
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Hmm, no... now I do. lol

Oh well...


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PostPosted: Sat Nov 22, 2008 5:43 am 
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Sevarin @ Sun Nov 16, 2008 1:13 pm wrote:
Oh, reminds me... if you are using a trailer, please make sure to add it to your car insurance, so at least the trailer itself is covered!! If you don't add it, it will NOT be covered whatsoever!
Sounds like you need a lockable GARAGE to put the trailer in!


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PostPosted: Mon Nov 24, 2008 11:37 am 
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Ok, I got a question regarding the Lexicon MX300. What cables do I need to hook that up to my mixer and how exactly do I connect it to the Mackie ONYX 1620?


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PostPosted: Mon Nov 24, 2008 11:48 am 
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Standard 1/4" TS plugs. I would run the Aux send (3&4) of the mixer to the input of the effects & run the output back to actual channels instead of the aux return, unless you are channel limited.

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PostPosted: Mon Nov 24, 2008 12:23 pm 
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Lonman @ Mon Nov 24, 2008 2:48 pm wrote:
Standard 1/4" TS plugs. I would run the Aux send (3&4) of the mixer to the input of the effects & run the output back to actual channels instead of the aux return, unless you are channel limited.

Yes, on my mixer I do just that. I like adjusting the amount of effects with the fader instead of the aux return twist knob.

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PostPosted: Mon Nov 24, 2008 12:43 pm 
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Thank you guys :) I will go and get the cables now...

BTW, I just got my speakers and hooked them up for the first time to actually hear the sound. Wow... Sounds better, than what I had before and the Mic Pre Amps on the ONYX are really worth every penny. WAY better than the Pre Amps of the Peavey Mixer I had before.


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PostPosted: Mon Nov 24, 2008 3:08 pm 
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Sevarin @ Mon Nov 24, 2008 1:43 pm wrote:
Thank you guys :) I will go and get the cables now...

BTW, I just got my speakers and hooked them up for the first time to actually hear the sound. Wow... Sounds better, than what I had before and the Mic Pre Amps on the ONYX are really worth every penny. WAY better than the Pre Amps of the Peavey Mixer I had before.

And the fact that both those boards are approx the same price. It's a fact, mixers aren't just mixers and any mixer will do. Some boards DO make a difference in sound quality!
That is going to be a kickin system!

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PostPosted: Mon Nov 24, 2008 4:50 pm 
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Wow, that's terrible to hear. :(

I was leasing a rehearsal studio and wanted to cover my PA gear, insurance wise. Long story short, after looking into everything, I found out that absolutely NO regular insurance company will cover PA gear. Not your homeowners insurance, car insurance, renter's insurance, whatever. Simply put, I found out that your regular, everyday, insurance companies don't have policies in place to cover your gear.

So I went with a company that I found on-line that covers musician's gear no matter where your gear is located. Basically your gear is covered whether it's at your studio, home, at a gig, or in transit. The company I went with is called Clarion Associates, Inc (www.clarionins.com). For $250/year they cover up to $20,000 in gear.

Of course, now, I'm no longer leasing the studio. All my gear stays in a trailer in my driveway. I have a tongue lock and a locking bolt (that replaces the normal pin). For security purposes, I also have a Mossberg 12 gauge pump action shotgun, just in case, with plenty of double and triple-ought buckshot shells! :twisted:

The other suggestions for security in this thread are very good, too.

Dominic


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PostPosted: Mon Nov 24, 2008 6:54 pm 
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domls @ Mon Nov 24, 2008 7:50 pm wrote:
Wow, that's terrible to hear. :(

I was leasing a rehearsal studio and wanted to cover my PA gear, insurance wise. Long story short, after looking into everything, I found out that absolutely NO regular insurance company will cover PA gear. Not your homeowners insurance, car insurance, renter's insurance, whatever. Simply put, I found out that your regular, everyday, insurance companies don't have policies in place to cover your gear.

So I went with a company that I found on-line that covers musician's gear no matter where your gear is located. Basically your gear is covered whether it's at your studio, home, at a gig, or in transit. The company I went with is called Clarion Associates, Inc (www.clarionins.com). For $250/year they cover up to $20,000 in gear.

Of course, now, I'm no longer leasing the studio. All my gear stays in a trailer in my driveway. I have a tongue lock and a locking bolt (that replaces the normal pin). For security purposes, I also have a Mossberg 12 gauge pump action shotgun, just in case, with plenty of double and triple-ought buckshot shells! :twisted:

The other suggestions for security in this thread are very good, too.

I just bought a cargo van, used. It is in pretty good shape, and importantly it has a metal cage which is extremely difficult to break into.

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PostPosted: Tue Nov 25, 2008 8:33 am 
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So, tonight is the big day. I'm gonna give the new setup a shot at my show tonight. Wish me luck!


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PostPosted: Tue Nov 25, 2008 9:52 am 
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Sevarin @ Mon Nov 24, 2008 2:37 pm wrote:
Ok, I got a question regarding the Lexicon MX300. What cables do I need to hook that up to my mixer and how exactly do I connect it to the Mackie ONYX 1620?


As both the Lexicon MX300 and the Lexicon Onyx 1620 have the provision for balanced TRS aux send and returns I would suggest taking advantage of a good thing and use TRS patch cables. I know it helped when I switched from TS to TRS on my Lexicon MPX1.

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PostPosted: Tue Nov 25, 2008 11:45 am 
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Sevarin @ Tue Nov 25, 2008 9:33 am wrote:
So, tonight is the big day. I'm gonna give the new setup a shot at my show tonight. Wish me luck!


Not sure if you read my post about the insurance (above) from Clarion Insurance. Personally, I think the $250 for a year's coverage anywhere the gear is at, seems like a good deal. Especially when you consider how much you've spent in such a short amount of time.

Good luck tonight! :)

Dominic


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PostPosted: Tue Nov 25, 2008 11:46 am 
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Yes Dominic, I read it. Thank you for that information. I will DEFINITELY look into it! :)


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PostPosted: Tue Nov 25, 2008 11:53 am 
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Sevarin @ Tue Nov 25, 2008 11:33 am wrote:
So, tonight is the big day. I'm gonna give the new setup a shot at my show tonight. Wish me luck!

I do! But I bet it will go fine. After all:
[pre]
I am a great believer in luck, and I find that the harder I work
the more luck I have. -- Thomas Jefferson[/pre]
[pre]
An amateur practices until he gets it right. A pro
practices until he can't get it wrong. -- unknown[/pre]
You are a pro who works hard, so it should be good.

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PostPosted: Tue Nov 25, 2008 7:09 pm 
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i missed a few days here. im sure all goes well. Im looking at that board, its a really nice board..really nice. Im also looking at the yamaha that has the compression and USB in (now im going from my lappy headphone jack) I think the yamaha would improve the music sound, and slightly hinder my vocal sounds, but the adjustable compression might help some.Ill probably end up with the onyx down the road. I look forward to having a nice rack mount mixer vs my current powered mixer. GC said I should get the yamaha and try it out. they will give full refund for 15 days. probably upgrade even longer.

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