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 Post subject: Re: Legalites
PostPosted: Wed Feb 29, 2012 9:35 am 
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Perhaps people could just register their discs and forego an "audit" altogether.

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 Post subject: Re: Legalites
PostPosted: Wed Feb 29, 2012 10:08 am 
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Staccato70 wrote:
hiteck wrote:
Humour me for a minute or two.

Let's say to be certified by SC a KJ has to submit the following to SC:

* Complete listing of their SC CD's
* Personal contact information (Address, Phone#, Email, etc...)
* Business contact information (Phone, Web Address, Email, etc...)
* Maybe even a list of current venues if they have any.
* and a minimal Filing Fee

That would give SC plenty of information to check up on KJ's who have come forward as well as enough information to prosecute them if they weren't in compliance with SC's terms.

If there SC portion of their songbook is publicly available on the SC's site, any vendor, competing KJ or SC rep could easily verify what that KJ does or doesn't have permission to use in a show.


Your plan might work for ethical/honest KJs, but the purpose of an audit is to validate that what is being stated to be true by the person being audited is indeed true.

Using the method stated above, I could imagine a scenario in which a Pirate KJ would simply find out which SC disks contain the songs he has pirated and submit that list to SC. Since nobody is auditing that the list he sent is actually the list he owns, then there would be no way to tell if he were being honest. If SC then used that list to create a songbook for that KJ and posted it on their website, then there would be no way for any competing KJ or SC rep to verify because they would see him using songs in his show that are in his dishonest songbook.

I agree that the audit process is very inconvenient for the legitimate KJs of the world, but ultimately, it may be what is necessary to clean up the industry by making it hard for the pirates to succeed. And as stated above, the purpose of the audit is to find out who is legit and who is not...so it would seem to be a necessary evil.


How would that scenario be any different if a legit host turned pirate decided to only include discs and tracks that he owns to be audited. After certification he goes back to using his/her pirated SC tracks as well.

In either scenario it seems the following would be the case.
Harrington Law wrote:
... we run an investigation, and bad things happen (bad for that KJ)...

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 Post subject: Re: Legalites
PostPosted: Wed Feb 29, 2012 10:09 am 
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earthling12357 wrote:
HarringtonLaw wrote:
We're not auditing to determine whether you have discs, but to determine whether the discs you have match what is on your hard drive. I don't know of a way to do that without examining the hard drive.


But why?
I feel like you are intentionally missing my point.
If I show you my disks and have them registered with you, you would know what should be on my drive and what should not.
The post audit situation would be no different whether you saw my hard drive or not.
It seems to me this would help streamline the audit process and allow more resources to be devoted to investigations.


I'm not missing your point at all. I understand what you're saying. I just don't agree with it.

By looking at your discs, I can know what should be on your hard drive and what should not. But it doesn't tell me anything about what is actually on your hard drive and what is not. If you have material on your hard drive that is not supposed to be there, then you should not be "certified" as being 1:1.

We know there will be some people who go through the certification process, then go back to being pirates. I want to make that more difficult to do, not enable it. Requiring an examination of the hard drive is part of that.


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 Post subject: Re: Legalites
PostPosted: Wed Feb 29, 2012 10:13 am 
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HarringtonLaw wrote:
Lone Wolf wrote:
Anything in not in original form is a devaluation. Ask how many people here would let you mark their SC8125. I doubt you will find any and if you do then they really don't care about the value of something unique.


SC8125, while more rare than a lot of discs, is hardly unique. The cachet of 8125 is (1) its relative rarity combined with (2) the popularity of the songs on it, plus (3) its "forbidden" nature, which has practically spawned a cottage industry of urban legends.

Of those factors, factor 2 is easily the most important. They're great songs that everybody knows and that are, with a couple of notable exceptions (such as Hotel California, which, by the way, is on the GEM series), pretty singable.

I'm going to disagree with you slightly about "original form." It may be true that collectibles are more valuable if in original form. But I think you would be hard pressed to quantify the devaluation caused by the marking process in the context of a karaoke disc that has been removed from the shrink wrap.

Also, in the audits I have personally been involved in, I have marked 3 copies of 8125. No one complained.


Being in the trenches, and knowing a little bit more about the industry from our end than you do......you are wrong about #2 being the reason..... :lol:
Also like to add, for those of you keeping cdgs unopened....are you sure the said cdg is in the case, or maybe no cdg at all...... :) ..I've seen it happen, and I always at least, weigh the unopened case if I'm going to leave it sealed.


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 Post subject: Re: Legalites
PostPosted: Wed Feb 29, 2012 11:21 am 
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cueball wrote:
Lone Wolf wrote:
Anything in not in original form is a devaluation. Ask how many people here would let you mark their SC8125. I doubt you will find any and if you do then they really don't care about the value of something unique.


I think you're really reaching on that point. Going on your logic alone, you have already devalued your SC 8125 disc by:

1. Removing the Shrink Wrap and opening the package.

2. You have devalued that same disc by playing it over and over again (every time someone has requested to sing a song off that disc).

3. Variation of Number 2... You have devalued that same disc by making a backup copy of it to use (and keeping the original safely away in storage somewhere). Every time you put that disc into a machine to play (even just that 1 time), there will be some kind of markings on the disc as a result of it spinning around at hyperspeed. The fact that you have put it in a machine to make a burn/copy of it, you have already created markings on the disc.

I'm sorry, but I don't see the harm in using special ink to place an ID mark on a disc. I know many KJs who use a Sharpie Marker to mark every one of their discs. Some use it as a code to find the discs easier when pulling them for people to sing from...
Example: You can place 4 discs in each page of a Case Logic holder. I know a KJ who writes 1A, 1B, 1C, 1D on the discs that sit in the first page. On Page 2, he has written 2A, 2B, 2C, and 2D on the discs in that page, etc... Now, instead of using Manufacturer codes, this KJ uses the Page codes as his songbook codes to find and pull a disc for play.

In your example of SC 8125, I have a question for you. Did you buy the disc to be used at Karaoke, or to own as a Collector's Item (like a Star Wars figurine, or an Original Barbie Doll in her NEVER OPENED packaging)? If you bought it to be used, then it shouldn't matter one bit if a small invisible marking be placed on a part of the disc where it won't affect the ability to read the data off the disc in order to continue using it.


OK here's the picture:
suppose you knew that 8125 was going to be a collectable someday and you bought 2 copies, now don't say it don't happen because I have read posts from Chip and others saying they have multiple originals unopened.

You have bought 2 (or more) opened one and have been using it for years when you decide to rip it to a hard drive. Somewhere down the line you loose said CD somehow. You are still legal because you have the one (or more) that is still in the original packing. Now who in their right mind would open it to let someone mark it thus destroying the value of the disc?

You say that might be a stretch but people do it everyday on various items that they have the foresight to do.

I had that foresight in 1965 when I had the opportunity to buy a Mint 1955 T-Bird with both hard and soft tops for $500.00. Being only 13 my mother said what would you want a car that old for and would not lend me the money.......For a car that sells in mint condition today for over $50,000.
She regretted her decision for many years to come.

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 Post subject: Re: Legalites
PostPosted: Wed Feb 29, 2012 11:32 am 
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I think a better question would be this - If you buy ANY disc and leave it shrink-wrapped (claiming collector status), how did you obtain a ripped version of the tracks? Unless you ripped the tracks yourself, the act of obtaining the tracks is likely illegal.

-Chris

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 Post subject: Re: Legalites
PostPosted: Wed Feb 29, 2012 11:38 am 
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UHH see my post above yours

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 Post subject: Re: Legalites
PostPosted: Wed Feb 29, 2012 11:44 am 
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hiteck wrote:
Staccato70 wrote:
hiteck wrote:
Humour me for a minute or two.

Let's say to be certified by SC a KJ has to submit the following to SC:

* Complete listing of their SC CD's
* Personal contact information (Address, Phone#, Email, etc...)
* Business contact information (Phone, Web Address, Email, etc...)
* Maybe even a list of current venues if they have any.
* and a minimal Filing Fee

That would give SC plenty of information to check up on KJ's who have come forward as well as enough information to prosecute them if they weren't in compliance with SC's terms.

If there SC portion of their songbook is publicly available on the SC's site, any vendor, competing KJ or SC rep could easily verify what that KJ does or doesn't have permission to use in a show.


Your plan might work for ethical/honest KJs, but the purpose of an audit is to validate that what is being stated to be true by the person being audited is indeed true.

Using the method stated above, I could imagine a scenario in which a Pirate KJ would simply find out which SC disks contain the songs he has pirated and submit that list to SC. Since nobody is auditing that the list he sent is actually the list he owns, then there would be no way to tell if he were being honest. If SC then used that list to create a songbook for that KJ and posted it on their website, then there would be no way for any competing KJ or SC rep to verify because they would see him using songs in his show that are in his dishonest songbook.

I agree that the audit process is very inconvenient for the legitimate KJs of the world, but ultimately, it may be what is necessary to clean up the industry by making it hard for the pirates to succeed. And as stated above, the purpose of the audit is to find out who is legit and who is not...so it would seem to be a necessary evil.


How would that scenario be any different if a legit host turned pirate decided to only include discs and tracks that he owns to be audited. After certification he goes back to using his/her pirated SC tracks as well.

In either scenario it seems the following would be the case.
Harrington Law wrote:
... we run an investigation, and bad things happen (bad for that KJ)...


That scenario would be different because if an audited KJ started using songs in their show that were not listed in their official SC public songbook, then they would be easily identified as a pirate. Therefore, post-audit verification is maintained.


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 Post subject: Re: Legalites
PostPosted: Wed Feb 29, 2012 11:55 am 
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For: HarringtonLaw

I would like to know if I have a hundred or so of SC discs and were in the process of buying a hundred or so more that I wanted to rip to a HD (haven't yet). Can I get an audit before I rip them to a HD?

Must I wait until I have all my discs ripped to the HD before you will grant me an audit and why?
Because I know it takes hours,days,weeks, even months to rip a large inventory.

I know you are going to say so we can check you HD and make sure that you do not have any illegal SC material on it, but what is keeping someone that has gone through the audit from obtaining illegal tracks once they pass the audit?

I'm not saying I would do this but the possibility exists.
You can check my HD if you want but it is empty

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 Post subject: Re: Legalites
PostPosted: Wed Feb 29, 2012 11:59 am 
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Lone Wolf wrote:
For: HarringtonLaw

I would like to know if I have a hundred or so of SC discs and were in the process of buying a hundred or so more that I wanted to rip to a HD (haven't yet). Can I get an audit before I rip them to a HD?

Must I wait until I have all my discs ripped to the HD before you will grant me an audit and why?
Because I know it takes hours,days,weeks, even months to rip a large inventory.

I know you are going to say so we can check you HD and make sure that you do not have any illegal SC material on it, but what is keeping someone that has gone through the audit from obtaining illegal tracks once they pass the audit?

I'm not saying I would do this but the possibility exists.
You can check my HD if you want but it is empty



This is why there should be more info available about the certificate program. What's required year 2, 3, 4,....?

You get certified with Foundations 1 & 2 year one. During Year 2 you buy Bricks 1-3 and some various SC disks. Then what?

Year 3 you opt for the GEM series....now what?

Year 4 you pick up some other disks that aren't part of anything you've previously bought, so now what is the process for maintaining the certification?

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 Post subject: Re: Legalites
PostPosted: Wed Feb 29, 2012 12:00 pm 
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chrisavis wrote:
I think a better question would be this - If you buy ANY disc and leave it shrink-wrapped (claiming collector status), how did you obtain a ripped version of the tracks? Unless you ripped the tracks yourself, the act of obtaining the tracks is likely illegal.

-Chris

Not true if you own multiple copies of the same disc. Do you really think it's necessary to open each copy and rip it separately? I have 9 copies of some phm discs. Do you really think I would need to open each one if I were running 9 copies?

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 Post subject: Re: Legalites
PostPosted: Wed Feb 29, 2012 12:10 pm 
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Staccato70 wrote:
That scenario would be different because if an audited KJ started using songs in their show that were not listed in their official SC public songbook, then they would be easily identified as a pirate. Therefore, post-audit verification is maintained.

I have several hundred songs I do not list in my books due to language restrictions in our club, but occasionally will allow someone to sing them if I know them & they will censor themselves. Doesn't mean piracy in that situation. Also I don't list duplicate songs, but still have them as otions for people to choose if they want.

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 Post subject: Re: Legalites
PostPosted: Wed Feb 29, 2012 12:58 pm 
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Lonman wrote:
Staccato70 wrote:
That scenario would be different because if an audited KJ started using songs in their show that were not listed in their official SC public songbook, then they would be easily identified as a pirate. Therefore, post-audit verification is maintained.

I have several hundred songs I do not list in my books due to language restrictions in our club, but occasionally will allow someone to sing them if I know them & they will censor themselves. Doesn't mean piracy in that situation. Also I don't list duplicate songs, but still have them as otions for people to choose if they want.


I agree...your show songbook may not match an audited SC public songbook for many reasons...including the fact that the SC songbook wouldn't contain other manus. I was not suggesting that the SC public songbook would replace your show songbook. Simply stating that if anybody, including competing KJs and/or SC reps can see what you officially own through an SC maintained public web page, then they at least have the possibility of questioning you if you are playing SC songs that aren't on your official list.

Of course all of this presupposes that, after an audit, SC would make such a list and make it public...which is purely hypothetical based upon comments in earlier threads.


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 Post subject: Re: Legalites
PostPosted: Wed Feb 29, 2012 1:09 pm 
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Staccato70 wrote:
Of course all of this presupposes that, after an audit, SC would make such a list and make it public...which is purely hypothetical based upon comments in earlier threads.


I posted that idea in reference to what is already on SoundChoices Certified KJ page.

SoundChoice wrote:
If the Certificate No. is underlined, you may click it to see a copy of the songbook which was current at the time of their audit. Changes in the songs on their system (additions or deletions of songs or the purchase or sales of original discs) may cause a host to deviate from being in 1:1 compliance with the attached songlist.

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 Post subject: Re: Legalites
PostPosted: Wed Feb 29, 2012 1:41 pm 
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hiteck wrote:
Staccato70 wrote:
Of course all of this presupposes that, after an audit, SC would make such a list and make it public...which is purely hypothetical based upon comments in earlier threads.


I posted that idea in reference to what is already on SoundChoices Certified KJ page.

SoundChoice wrote:
If the Certificate No. is underlined, you may click it to see a copy of the songbook which was current at the time of their audit. Changes in the songs on their system (additions or deletions of songs or the purchase or sales of original discs) may cause a host to deviate from being in 1:1 compliance with the attached songlist.


Well there you go...not as hypothetical as I had thought. :)


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 Post subject: Re: Legalites
PostPosted: Wed Feb 29, 2012 3:07 pm 
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HarringtonLaw wrote:
hiteck wrote:
Can you get more information on SC's website about the audit process and terms for use of logo/tracks by a certified KJ?

How about what is expected after year one is complete? Is there addtional audits/costs based on conditions? What are those conditions?


I'll see what I can do. I know they are looking at revamping the site. I will make sure that information is added as soon as it can be.

Also, list the specifics. Inquiring minds want to know. Who do you call to set up an appointment for audit? (Phone Number). Time frame from appt call to the day of audit. Is the audit on neutral ground so to speak, or can the auditors do the audit at our gig venue (Sundays included)? Audit Fee: Credit card, cash or check? Elaborate more on the Skype process, although I probably opt for a much easier personal face to face interaction with the auditors.

By the way, I have no problem paying the audit fee. I can easily plunk down $400 for component replacement, spent $5k on QSC speakers (4 tops, 1 sub), and last month was $3k on Cbusters 12k songs. Not to mention the ongoing monthly releases from the other 2 manus. That’s the cost of doing business. You have to spend money to make money. The amount they’re asking to cover the cost of audit is peanuts. Amount so low it’s a steal (no pun intended).

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 Post subject: Re: Legalites
PostPosted: Wed Feb 29, 2012 3:09 pm 
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birdofsong wrote:
chrisavis wrote:
I think a better question would be this - If you buy ANY disc and leave it shrink-wrapped (claiming collector status), how did you obtain a ripped version of the tracks? Unless you ripped the tracks yourself, the act of obtaining the tracks is likely illegal.

-Chris

Not true if you own multiple copies of the same disc. Do you really think it's necessary to open each copy and rip it separately? I have 9 copies of some phm discs. Do you really think I would need to open each one if I were running 9 copies?


My bad. I did not clarify. I did not mean to suggest that you have to open everyone. I was trying to target specifically to the SC8125 disc. If you only have 1 and it is still shrinkwrapped, then 1) the tracks were stolen or 2) they were ripped legaly and the disc was re-wrapped.

-Chris

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 Post subject: Re: Legalites
PostPosted: Wed Feb 29, 2012 3:13 pm 
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chrisavis wrote:
birdofsong wrote:
chrisavis wrote:
I think a better question would be this - If you buy ANY disc and leave it shrink-wrapped (claiming collector status), how did you obtain a ripped version of the tracks? Unless you ripped the tracks yourself, the act of obtaining the tracks is likely illegal.

-Chris

Not true if you own multiple copies of the same disc. Do you really think it's necessary to open each copy and rip it separately? I have 9 copies of some phm discs. Do you really think I would need to open each one if I were running 9 copies?


My bad. I did not clarify. I did not mean to suggest that you have to open everyone. I was trying to target specifically to the SC8125 disc. If you only have 1 and it is still shrinkwrapped, then 1) the tracks were stolen or 2) they were ripped legaly and the disc was re-wrapped.

-Chris


Yep. We actually have three SC8125 discs left. One is unwrapped and was being used until we pulled the brand, and the other two are the ones we posted pictures of -- still wrapped. The rest we sold for a tidy sum. I know we were able to get more for the ones we sold because they remained unopened, unused and unmarked.

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 Post subject: Re: Legalites
PostPosted: Wed Feb 29, 2012 3:16 pm 
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johnny reverb wrote:
HarringtonLaw wrote:
Lone Wolf wrote:
Anything in not in original form is a devaluation. Ask how many people here would let you mark their SC8125. I doubt you will find any and if you do then they really don't care about the value of something unique.


SC8125, while more rare than a lot of discs, is hardly unique. The cachet of 8125 is (1) its relative rarity combined with (2) the popularity of the songs on it, plus (3) its "forbidden" nature, which has practically spawned a cottage industry of urban legends.

Of those factors, factor 2 is easily the most important. They're great songs that everybody knows and that are, with a couple of notable exceptions (such as Hotel California, which, by the way, is on the GEM series), pretty singable.

I'm going to disagree with you slightly about "original form." It may be true that collectibles are more valuable if in original form. But I think you would be hard pressed to quantify the devaluation caused by the marking process in the context of a karaoke disc that has been removed from the shrink wrap.

Also, in the audits I have personally been involved in, I have marked 3 copies of 8125. No one complained.


Being in the trenches, and knowing a little bit more about the industry from our end than you do......you are wrong about #2 being the reason..... :lol:


It is a rare show that I go to, if the tracks from 8125 are available (pirated or not), where at least one of them isn't played.

But I would be interested to know what you think the most important factor in 8125's cachet is.


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 Post subject: Re: Legalites
PostPosted: Wed Feb 29, 2012 3:17 pm 
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chrisavis wrote:
birdofsong wrote:
chrisavis wrote:
I think a better question would be this - If you buy ANY disc and leave it shrink-wrapped (claiming collector status), how did you obtain a ripped version of the tracks? Unless you ripped the tracks yourself, the act of obtaining the tracks is likely illegal.

-Chris

Not true if you own multiple copies of the same disc. Do you really think it's necessary to open each copy and rip it separately? I have 9 copies of some phm discs. Do you really think I would need to open each one if I were running 9 copies?


My bad. I did not clarify. I did not mean to suggest that you have to open everyone. I was trying to target specifically to the SC8125 disc. If you only have 1 and it is still shrinkwrapped, then 1) the tracks were stolen or 2) they were ripped legaly and the disc was re-wrapped.

-Chris


They also have a new program called MRI Karaoke Maker, so if you have an MRI machine, since it's already hooked up to a computer, you simply have to install the software......never have to open a cdg again.


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