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Insane KJ
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Posted: Thu Jun 20, 2013 12:00 pm |
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Joined: Mon Oct 17, 2011 12:24 pm Posts: 317 Been Liked: 18 times
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Just tuned into the Karaoke Summit. Kurt Slep with Sound Choice has mentioned talks with Music Publishers in sharing investigative data with them to pursue copyright infringement lawsuits on those using pirated tracks from orphans like MM, BS, SGB, etc.... I wonder who will be dropping all the brands now? Videos of the summit will be available on YouTube hopefully by tomorrow and I will get the links posted ASAP.
_________________ -- Mark
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JoeChartreuse
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Posted: Thu Jun 20, 2013 12:19 pm |
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Joined: Wed Feb 07, 2007 1:12 pm Posts: 5046 Been Liked: 334 times
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So what you're saying is, having failed to corner the market competitively, Kurt wants to eliminate the other brands.
Okey Dokey, but there are a few problems with that:
1) Will the big guns think it worthwhile to go after single KJs?
2) If the KJs own and use the original discs that they PAID for- rather than pirated- will there be any damages awarded for use as purchased in good faith?
3) Since there are a HUGE amount of the non-licensed SC discs still in use by KJs, how will this affect SC ( A company still in business, even if not producing) as opposed to the orphan brands where the owners may have disappeared?
4) Since SC is still in litigation with EMI, how seriously will the music companies take Kurt's suggestion?
Yes, he's giving it the old college try, but.....that's OK.
Were he to actually be successful, he could singlehandedly wipe out the karaoke industry.
Think about it. All the "Library Dependant" KJs with exactly the same SC library. No way to compete for them.
Then you have the folks who prefer to sing versions other than SC. "My way or the highway" is not a builder of customer bases.
There are the many good KJs- who pay for their music- who have been at it a very long time and have eclectic libraries to fulfill customer expectations who would no longer have that ability.
What about the songs that SC didn't and won't produce?
Then, of course, once ALL of the sleeping giants get involved, they will all want some money to make it worthwhile- and SC's peanuts won't satisfy them.
OR they could just get sick of the whole thing and get a Cease & Desist in place
Of course, that doesn't have any effect on SC, and maybe it would be his ultimate parting shot at the industry if the litigation business model proves to be the failure it seems to be.
This would have an effect on employees of the karaoke hosting companies as well as the owners.
However, if you find all of this to be a good thing, by all means- keep rooting!
As for me: I don't think he has a shot in hell, but then, I never thought a karaoke company would attempt to sue it's own paying customers either....
_________________ "No Contests, No Divas, Just A Good Time!"
" Disc based and loving it..."
Last edited by JoeChartreuse on Thu Jun 20, 2013 12:37 pm, edited 2 times in total.
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JimHarrington
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Posted: Thu Jun 20, 2013 12:31 pm |
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Joined: Wed Aug 03, 2011 8:59 am Posts: 3011 Been Liked: 1003 times
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JoeChartreuse wrote: So what you're saying is, having failed to corner the market competitively, Kurt wants to eliminate the other brands. It's almost like you are intentionally not understanding this. Operators who use pirated copies of MM, SGB, and other defunct labels are still using pirated music in which the publishers own rights. Kurt would very much like to eliminate that piracy, and the publishers can do it. How is that "eliminating the other brands"? JoeChartreuse wrote: Okey Dokey, but there are a few problems with that:
1) Will the big guns think it worthwhile to go after single KJs?
Perhaps not single KJs right away, but the indications I have from my discussions with publisher is, yes, they are very interested in tapping into litigation both as a mechanism for driving legitimate sales and as a revenue stream. JoeChartreuse wrote: 2) If the KJs own and use the original discs that they PAID for- rather than pirated- will there be any damages awarded for use as purchased in good faith?
If those original discs are legitimate, royalty-paid discs, they have nothing to fear from a publisher's suit. However, copyright infringement is a strict liability offense. If the materials were pirated, the publisher will still win, but damages could be reduced significantly if the operator was duped into buying pirated content. JoeChartreuse wrote: 3) Since there are a HUGE amount of the non-licensed SC discs still in use by KJs, how will this affect SC ( A company still in business, even if not producing) as opposed to the orphan brands where the owners may have disappeared?
It won't, because your premise is wrong. JoeChartreuse wrote: 4) Since SC is still in litigation with EMI, how seriously will the music companies take Kurt's suggestion?
We are being taken very seriously by at least one major publishing group. There is no substance to the EMI suit. (I note that you complain frequently about a lack of investigations by SC in its suits--even though we always investigate--but there was no pre-suit investigation by the EMI attorneys before this suit, and we hear not a peep from you on that point.)
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doowhatchulike
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Posted: Thu Jun 20, 2013 12:41 pm |
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Joined: Wed Sep 21, 2011 8:35 am Posts: 752 Images: 1 Been Liked: 73 times
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JoeChartreuse wrote: Since SC is still in litigation with EMI, how seriously will the music companies take Kurt's suggestion?
HARRINGTONLAW SAID: QUOTE: "We are being taken very seriously by at least one major publishing group. There is no substance to the EMI suit. (I note that you complain frequently about a lack of investigations by SC in its suits--even though we always investigate--but there was no pre-suit investigation by the EMI attorneys before this suit, and we hear not a peep from you on that point.)" END QUOTE I am going by what I read on the court briefs when I ask, isn't the evidence they are using easily accessible from SCs own catalog listing? It is obvious that the investigative accessibility is different between an operator in public venues and a significantly sized privately owned company...
Last edited by doowhatchulike on Fri Jun 21, 2013 9:06 am, edited 3 times in total.
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MtnKaraoke
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Posted: Thu Jun 20, 2013 12:47 pm |
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Joined: Thu Aug 05, 2010 1:40 pm Posts: 1052 Images: 1 Been Liked: 204 times
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jeez... did you really have to quote the entire post to ask your question? could you edit that?
_________________ Never the same show twice!
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doowhatchulike
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Posted: Thu Jun 20, 2013 1:04 pm |
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MtnKaraoke wrote: jeez... did you really have to quote the entire post to ask your question? could you edit that? I never do that anymore, for two reasons: 1) I have not heard of anyone complaining about space issues on the KS server; and 2) I do not like running the risk of being accused of taking things out of context...but thanks for your concern.....
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JoeChartreuse
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Posted: Thu Jun 20, 2013 1:21 pm |
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Joined: Wed Feb 07, 2007 1:12 pm Posts: 5046 Been Liked: 334 times
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HarringtonLaw wrote: JoeChartreuse wrote: So what you're saying is, having failed to corner the market competitively, Kurt wants to eliminate the other brands. It's almost like you are intentionally not understanding this. Operators who use pirated copies of MM, SGB, and other defunct labels are still using pirated music in which the publishers own rights. Kurt would very much like to eliminate that piracy, and the publishers can do it. How is that "eliminating the other brands"? How would it NOT eliminate those brands? Still, I see your point, to some extent. It should have no effect on theJapanese (DK, and unfortunately SAV/Nikkodo) and UK brands ( like Legends, Sunfly, SBI, Zoom, Laughing Gnome, Capitol, etc...)already in the country though it could later, if the awakened giants decide they want more control. They could design a requirement where only those tracks with U.S. licensing could be used. Kind of like SC stepping on GEM's feet. Though my Oldies singers like my MM discs, no one will really care about SGB- unless that is the only source for a given song. None of this invalidates my point. If SC can get the use of older orphan brands eliminated, then they will have created a new market for their old tracks. It's got nothing to do with fighting piracy.JoeChartreuse wrote: Okey Dokey, but there are a few problems with that:
1) Will the big guns think it worthwhile to go after single KJs?
Perhaps not single KJs right away, but the indications I have from my discussions with publisher is, yes, they are very interested in tapping into litigation both as a mechanism for driving legitimate sales and as a revenue stream. JoeChartreuse wrote: 2) If the KJs own and use the original discs that they PAID for- rather than pirated- will there be any damages awarded for use as purchased in good faith?
If those original discs are legitimate, royalty-paid discs, they have nothing to fear from a publisher's suit. However, copyright infringement is a strict liability offense. If the materials were pirated, the publisher will still win, but damages could be reduced significantly if the operator was duped into buying pirated content. That's just it. It's not up to the end user to check each and every mfrs. licensing for each and every track. I just don't see ANY damages rewarded, unless the KJ is an actual track thief. If that's the case, nowadays that means we are back to media shifters. I think I'll stick to my Luddite OMD ways... Keeping in mind that OMDs are instant proof of use in good faith, I won't have any real reason to think about pulling them.JoeChartreuse wrote: 3) Since there are a HUGE amount of the non-licensed SC discs still in use by KJs, how will this affect SC ( A company still in business, even if not producing) as opposed to the orphan brands where the owners may have disappeared?
It won't, because your premise is wrong. I know that you have stated that SC has paid all fines and fees, but that only limits their liability- it in no way indicates permission and licensing for those tracks. We both know said tracks were not limited to the famous Eagles disc, but include many others, some in the Star series, Some in Spotlight , and the other series as well. I stand by my premise.JoeChartreuse wrote: 4) Since SC is still in litigation with EMI, how seriously will the music companies take Kurt's suggestion?
We are being taken very seriously by at least one major publishing group. I would ask which one, but I wouldn't expect an answer. No knock on you, Jim. I'm sure said player would not want it publicized until or unless an agreement is finalized.There is no substance to the EMI suit. (I note that you complain frequently about a lack of investigations by SC in its suits--even though we always investigate--but there was no pre-suit investigation by the EMI attorneys before this suit, and we hear not a peep from you on that point.) As for the last statement, it would depend on to whom one speaks. EMI certainly thinks that the suit has substance. Since they have substantial funds one could assume that their legal counsel is no less trained or experienced than yourself. Though you state that there was no investigation, I would have to give EMI as much of the benefit of the doubt as you feel SC deserves when the same statement is made in regard to them. I also note that you haven't commented on the grave damage such a thing- if it could possibly be enacted- would have on the industry, so I will re-state them: Were he to actually be successful, he could singlehandedly wipe out the karaoke industry.
Think about it. All the "Library Dependant" KJs with exactly the same SC library. No way to compete for them.
Then you have the folks who prefer to sing versions other than SC. "My way or the highway" is not a builder of customer bases.
There are the many good KJs- who pay for their music- who have been at it a very long time and have eclectic libraries to fulfill customer expectations who would no longer have that ability.
What about the songs that SC didn't and won't produce?
Then, of course, once ALL of the sleeping giants get involved, they will all want some money to make it worthwhile- and SC's peanuts won't satisfy them.
OR they could just get sick of the whole thing and get a Cease & Desist in place
Of course, that doesn't have any effect on SC, and maybe it would be his ultimate parting shot at the industry if the litigation business model proves to be the failure it seems to be.
This would have an effect on employees of the karaoke hosting companies as well as the ownersNOTE: I apologize for the length of this post, but if Jim replies within my post I have to reply the same way, and can't edit.
_________________ "No Contests, No Divas, Just A Good Time!"
" Disc based and loving it..."
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Cueball
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Posted: Thu Jun 20, 2013 4:54 pm |
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Joined: Sat Oct 20, 2001 6:55 pm Posts: 4433 Location: New York City Been Liked: 757 times
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doowhatchulike wrote: I never do that anymore, for two reasons:... I have not heard of anyone complaining about space issues on the KS server; and ... viewtopic.php?f=13&t=27833 And I've complained about it in the past few years as well. It's nice to see (and know) that I'm not the only one that seems to have issues with this.
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JimHarrington
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Posted: Thu Jun 20, 2013 5:18 pm |
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Joined: Wed Aug 03, 2011 8:59 am Posts: 3011 Been Liked: 1003 times
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JoeChartreuse wrote: How would it NOT eliminate those brands? Still, I see your point, to some extent. It should have no effect on theJapanese (DK, and unfortunately SAV/Nikkodo) and UK brands ( like Legends, Sunfly, SBI, Zoom, Laughing Gnome, Capitol, etc...)already in the country though it could later, if the awakened giants decide they want more control. They could design a requirement where only those tracks with U.S. licensing could be used. Kind of like SC stepping on GEM's feet. Though my Oldies singers like my MM discs, no one will really care about SGB- unless that is the only source for a given song. None of this invalidates my point. If SC can get the use of older orphan brands eliminated, then they will have created a new market for their old tracks. It's got nothing to do with fighting piracy. Joe, we are not talking about eliminating the use of those brands. We're talking about eliminating the use of pirated copies of those brands. People who own the original discs will still be able to use that material. It's the people who don't own the discs, who just downloaded them from some IRC site, who would be stopped. Of course, if the material wasn't licensed in the first place, that would have to be stopped as well--but are you really suggesting that people should be able to use pirated material without consequences? JoeChartreuse wrote: I know that you have stated that SC has paid all fines and fees, but that only limits their liability- it in no way indicates permission and licensing for those tracks. We both know said tracks were not limited to the famous Eagles disc, but include many others, some in the Star series, Some in Spotlight , and the other series as well. I stand by my premise. No. Any material that was put out with less than complete licensing was legitimized at the settlements. If it had to be pulled, then it was pulled, but product that was already in the marketplace was legitimized. JoeChartreuse wrote: As for the last statement, it would depend on to whom one speaks. EMI certainly thinks that the suit has substance. Since they have substantial funds one could assume that their legal counsel is no less trained or experienced than yourself.
Their access to funds has absolutely zero to do with the counsel they've retained for this purpose, as he works on contingent fee. JoeChartreuse wrote: Though you state that there was no investigation, I would have to give EMI as much of the benefit of the doubt as you feel SC deserves when the same statement is made in regard to them.
You've never given SC the benefit of doubt when it comes to investigations. Why are you showing EMI that respect? There really is no doubt on that point, however. EMI's lawsuit identifies 160 or so tracks that it contends were not licensed but were sold and are therefore actionable. Nearly all of them were not sold, not even one time, during the three years prior to the filing of the lawsuit. The handful of tracks that were sold weren't sold to EMI or anyone affiliated with it or its attorneys. What that means is that there was NO pre-suit investigation conducted, because minimally a proper pre-suit investigation includes the straw purchase of an allegedly infringing article. JoeChartreuse wrote: I also note that you haven't commented on the grave damage such a thing- if it could possibly be enacted- would have on the industry, so I will re-state them:
Were he to actually be successful, he could singlehandedly wipe out the karaoke industry.
Think about it. All the "Library Dependant" KJs with exactly the same SC library. No way to compete for them.
Then you have the folks who prefer to sing versions other than SC. "My way or the highway" is not a builder of customer bases.
There are the many good KJs- who pay for their music- who have been at it a very long time and have eclectic libraries to fulfill customer expectations who would no longer have that ability.
What about the songs that SC didn't and won't produce?
Then, of course, once ALL of the sleeping giants get involved, they will all want some money to make it worthwhile- and SC's peanuts won't satisfy them.
OR they could just get sick of the whole thing and get a Cease & Desist in place
Of course, that doesn't have any effect on SC, and maybe it would be his ultimate parting shot at the industry if the litigation business model proves to be the failure it seems to be.
This would have an effect on employees of the karaoke hosting companies as well as the owners
NOTE: I apologize for the length of this post, but if Jim replies within my post I have to reply the same way, and can't edit. Your argument is both bizarre (which is not surprising) and pro-pirate (which is). No one is talking about keeping legitimate material out of the marketplace. Your dire prediction is based on a faulty premise. If piracy of the abandoned brands is stopped, that gives space for legitimate competitors to come into the marketplace. It's the piracy that is the anti-competitive activity, not the anti-piracy work.
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Paradigm Karaoke
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Posted: Thu Jun 20, 2013 6:38 pm |
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Joined: Thu Aug 12, 2010 6:24 pm Posts: 5107 Location: Phoenix Az Been Liked: 1279 times
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HarringonLaw wrote: We are being taken very seriously by at least one major publishing group. like the ones that wont give you license to make the new tracks that were promised? HarringtonLaw wrote: There really is no doubt on that point, however. EMI's lawsuit identifies 160 or so tracks that it contends were not licensed but were sold and are therefore actionable. Nearly all of them were not sold, not even one time, during the three years prior to the filing of the lawsuit.
there is a three year limit on unlicensed tracks before they become unable to be used to sue? HarringtonLaw wrote: The handful of tracks that were sold weren't sold to EMI or anyone affiliated with it or its attorneys. What that means is that there was NO pre-suit investigation conducted, because minimally a proper pre-suit investigation includes the straw purchase of an allegedly infringing article. so if i read this correctly, unless someone from EMI directly bought an unlicensed track within the last three years, the lack of proper licensing becomes moot and SC is off the hook?
_________________ Paradigm Karaoke, The New Standard.......Shift Happens
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doowhatchulike
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Posted: Thu Jun 20, 2013 9:59 pm |
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Joined: Wed Sep 21, 2011 8:35 am Posts: 752 Images: 1 Been Liked: 73 times
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cueball wrote: doowhatchulike wrote: I never do that anymore, for two reasons:... I have not heard of anyone complaining about space issues on the KS server; and ... viewtopic.php?f=13&t=27833 And I've complained about it in the past few years as well. It's nice to see (and know) that I'm not the only one that seems to have issues with this. I hate to have to say it out loud, but the "anyone" I refer to was implied to mean "anyone that matters." I try hard to avoid this type of clarification on all the other varied forums I frequent, because I do not want to continue stirring this meaningless pot, but I certainly must indicate that I see no merit in being overly concerned about something as insignificant as a "pet peeve", especially when there was no intent, direct or otherwise, to instigate this response--OR, more simply said: "It'll be aight!!!"
Last edited by doowhatchulike on Fri Jun 21, 2013 8:45 am, edited 1 time in total.
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Cueball
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Posted: Thu Jun 20, 2013 10:16 pm |
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Joined: Sat Oct 20, 2001 6:55 pm Posts: 4433 Location: New York City Been Liked: 757 times
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doowhatchulike wrote: I hate to have to say it out loud, but the "anyone" I refer to was implied to mean "anyone that matters." You stated that you never heard of ANYONE complaining about space issues on the KS server. What that has to do with anything, I don't know. MtnKaraoke pointed out that your use of quoting an entire post within a quoted post was not necessary to ask a simple question. I pointed you to a section in this Forum (written by the SYSOP, no less), so that you could become aware that some people are bothered by the use of excessive quotes within a post. doowhatchulike wrote: I see no merit in being overly concerned about something as insignificant as a "pet peeve", especially when there was no intent, direct or otherwise, to instigate this response,,, What's insignificant to YOU, is not necessarily insignificant to others. The fact that you turned around and basically said, "I don't give a ***k," only goes to show how inconsiderate you are. And to clarify where the intent was, it was in your response to MtnKaraoke. You gave him an explanation as to why you did it, but then ended it (in what I read to be) a sarcastic tone. doowhatchulike wrote: but thanks for your concern..... So, I guess as long as you are NOT confronted about anything you post, then that "anyone" matters. " ANYONE" else is insignificant to you, and deserves no consideration. I get it now.
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MtnKaraoke
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Posted: Fri Jun 21, 2013 1:24 am |
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Joined: Thu Aug 05, 2010 1:40 pm Posts: 1052 Images: 1 Been Liked: 204 times
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doowhatchulike wrote: MtnKaraoke wrote: jeez... did you really have to quote the entire post to ask your question? could you edit that? I never do that anymore, for two reasons: 1) I have not heard of anyone complaining about space issues on the KS server; and 2) I do not like running the risk of being accused of taking things out of context...but thanks for your concern..... viewtopic.php?f=13&t=27833&p=361137#p361137It is simply that you didn't address any single point in the previous post(s) you posted a reply. The complete quoting of a post is not necessary, it contributes nothing. The answer to my question was "NO", you really don't have to quote the entire post. It is annoying.
_________________ Never the same show twice!
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earthling12357
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Posted: Fri Jun 21, 2013 2:03 am |
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Joined: Sat Jan 08, 2011 11:21 pm Posts: 1609 Location: Earth Been Liked: 307 times
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doowhatchulike wrote: I hate to have to say it out loud, but the "anyone" I refer to was implied to mean "anyone that matters." Whoa, I hate to say it out loud, but that's incredibly rude! I'm not sure who you were trying to insult by saying they don't matter, but whether it was the web master of this site or either of the long time contributors, it was uncalled for. I'm pretty sure I matter less than any of the aforementioned individuals, yet I also share their "pet peeve". I read far more than I post, and when I see someone quote the entire post in an answer to the post adjacent to their own, I am reminded of my crazy aunt who would repeat the last half of every sentence I said before she could respond with a thought of her own. It's an even worse experience when reading. Please, give us some credit for being able to understand that your post which comes immediately after the previous poster's comment is directly related to that comment when the context of your comment fits. If you think that we are too stupid to understand your comments without quoting the immediate preceding comment , or we don't matter enough to afford us a common courtesy, then why bother posting here at all? But since none of us matter, you just do what you like.
_________________ KNOW THYSELF
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earthling12357
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Posted: Fri Jun 21, 2013 2:16 am |
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Joined: Sat Jan 08, 2011 11:21 pm Posts: 1609 Location: Earth Been Liked: 307 times
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Paradigm Karaoke wrote: HarringtonLaw wrote: There really is no doubt on that point, however. EMI's lawsuit identifies 160 or so tracks that it contends were not licensed but were sold and are therefore actionable. Nearly all of them were not sold, not even one time, during the three years prior to the filing of the lawsuit.
there is a three year limit on unlicensed tracks before they become unable to be used to sue? HarringtonLaw wrote: The handful of tracks that were sold weren't sold to EMI or anyone affiliated with it or its attorneys. What that means is that there was NO pre-suit investigation conducted, because minimally a proper pre-suit investigation includes the straw purchase of an allegedly infringing article. so if i read this correctly, unless someone from EMI directly bought an unlicensed track within the last three years, the lack of proper licensing becomes moot and SC is off the hook? Title 17 of the United States Code wrote: § 507 · Limitations on actions7 (a) Criminal Proceedings.—Except as expressly provided otherwise in this title, no criminal proceeding shall be maintained under the provisions of this title unless it is commenced within 5 years after the cause of action arose. (b) Civil Actions.—No civil action shall be maintained under the provisions of this title unless it is commenced within three years after the claim accrued. It is unclear whether accrued means the initial infringement or the moment the damaged party became aware of the infringement. Of course, anyone who would make a case that it means the time of the initial infringement, would then have to agree that the pirates that have been operating for longer than three years are in-the-clear.
_________________ KNOW THYSELF
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Paradigm Karaoke
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Posted: Fri Jun 21, 2013 3:54 am |
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Joined: Thu Aug 12, 2010 6:24 pm Posts: 5107 Location: Phoenix Az Been Liked: 1279 times
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woah now, we put out those unlicensed tracks six years ago, you can't touch us.
_________________ Paradigm Karaoke, The New Standard.......Shift Happens
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JimHarrington
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Posted: Fri Jun 21, 2013 7:02 am |
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Paradigm Karaoke wrote: woah now, we put out those unlicensed tracks six years ago, you can't touch us. That is what the law says. However, that is not what I said. What I said was that it would be a ridiculous waste of time to search the archives for licensing for tracks that haven't been sold within the statute of limitations, because those tracks can never be the basis of liability. What I suspect has happened is that there was valid licensing for those tracks at the time they were sold, but the licenses weren't renewed and the product was discontinued, but they have assumed incorrectly that the product continued to be offered for sale after the expiration date.
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doowhatchulike
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Posted: Fri Jun 21, 2013 8:43 am |
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MtnKaraoke wrote: jeez... did you really have to quote the entire post to ask your question? could you edit that? I apologize for the discontent this has instigated, and as a sign of good faith, I have done as has been requested. All I ask is that you all review the amount of effort expended, and COULD BE expended to others who might be determined to "offend", over this relatively minute issue, and see if it balances out... Please keep an open mind to the fact that, in this day and time, many people make posts from more cumbersome devices, such as tablets and smartphones, that make the editing process exponentially difficult, relatively speaking. One should not be expected to overly concern themselves with "how much is too much", as long as things are done within forum guidelines. I would hate to think how much reprimanding could be done forum-wide for all those who might fit into any one person's pet peeve level. Seriously...let's move on, ok?
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Paradigm Karaoke
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Posted: Fri Jun 21, 2013 2:17 pm |
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Joined: Thu Aug 12, 2010 6:24 pm Posts: 5107 Location: Phoenix Az Been Liked: 1279 times
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HarringtonLaw wrote: Paradigm Karaoke wrote: woah now, we put out those unlicensed tracks six years ago, you can't touch us. What I suspect has happened is that there was valid licensing for those tracks at the time they were sold, but the licenses weren't renewed and the product was discontinued, but they have assumed incorrectly that the product continued to be offered for sale after the expiration date. now THAT is a valid and plausible explanation.
_________________ Paradigm Karaoke, The New Standard.......Shift Happens
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