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BruceFan4Life
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Posted: Fri Dec 13, 2013 5:29 pm |
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Super Duper Poster |
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Joined: Wed May 18, 2005 10:03 pm Posts: 2674 Location: Jersey Been Liked: 160 times
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I thought FSC stood for Full Scale Conspiracy....and the last 6 letters of Comspiracy are PIRACY. Hmmmm
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JimHarrington
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Posted: Fri Dec 13, 2013 8:55 pm |
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Joined: Wed Aug 03, 2011 8:59 am Posts: 3011 Been Liked: 1003 times
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mrmarog wrote: The MediaPlas that I acquired DO LOOK FAKE. The silk screening is on top off a white face instead of a silver face, and they are burned not pressed. I'm not sure I would say they look fake, but they do look different. With the state of burning technology these days, it really doesn't make sense to press small runs anymore.
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RaokeBoy
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Posted: Fri Dec 13, 2013 10:14 pm |
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Senior Poster |
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Joined: Sat Feb 23, 2013 12:07 pm Posts: 110 Been Liked: 16 times
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HarringtonLaw wrote: I wasn't applying the statute of limitation argument to the GEM Series, but to the first group of songs they asserted.
The MCPS licensing was issued to FSC Mediaplas, which was a UK company that manufactured and sold karaoke and other discs. You are not correct about MCPS licensing not being "accepted as such in the U.S." At the time the GEM Series discs were produced and first sold, FSC Mediaplas had valid licensing to produce and sell them worldwide. The discs were the subject of a first sale (to SC) that occurred under the laws of the United Kingdom. SC imported the discs into the U.S., which it was entitled to do under the First Sale Doctrine--as the Supreme Court has recently clarified. Once the discs were first sold, the copyright in them was exhausted, and they are no longer under the control of the music publishers.
Hey Jimbo. Have you communicated this to EMI's lawyers? Have you brought a motion for summary adjudication/judgment to end this? Have they dropped the suit? Are you seeking fees? Have you threatened Rule 11 sanctions? Truth is, the case is still alive isn't it as are all of EMI's claims? EMI hasn't run for the hills at all have they?
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JoeChartreuse
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Posted: Sat Dec 14, 2013 12:06 am |
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Joined: Wed Feb 07, 2007 1:12 pm Posts: 5046 Been Liked: 334 times
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Lonman wrote: Actually the overseas licensing WAS infact worldwide up until a couple years ago when they changed that aspect. It's even in their TOS. Anything produced or licensed before a certain date is ok for worldwide use, after that no. Which is why all the USA retailers had to pull all stock after that date. Many still sell NOS discs that were improted and bought before that date! Sorry Lon, have to disagree. They CLAIMED it was world wide, and at the time nobody here gave a damn about karaoke and simply sat it out. However, no one here actually accepted it, and no documentation of such acceptance exists. NOW, thanks to SC, the publisher/owners are involved, and made it known that the overseas licensing does not include the U.S. No copyright laws were changed, because no precedant was set. However, now the enforcement of copyright laws has changed in regard to overseas product. More importantly, another issue. The GEM licensing was issued to FSC MediaPlas, Not SC. Jim claims that such licensing can be transferred per First Sale Doctrine. Maybe he's right- or not. That First Sale Doctrine- as I understand it- is only transferable within the jurisdiction of the licensing agency. IF that's the case, then MCPS licensing issued to a UK based Producer cannot be transfered to a U.S. based company where the licensor is not recognized. The thing is-again- if SC goes down, we get pulled along for a big piece of the ride. I'm hoping- not for their sake, but ours- that they can work up a better defense, but only time will tell. NOW- again thanks to SC- we will have a diminished source pool for new songs, and many other difficulties if they lose the EMI case.
_________________ "No Contests, No Divas, Just A Good Time!"
" Disc based and loving it..."
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Paradigm Karaoke
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Posted: Sat Dec 14, 2013 3:23 am |
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Joined: Thu Aug 12, 2010 6:24 pm Posts: 5107 Location: Phoenix Az Been Liked: 1279 times
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if that is the case, then every SF, ZM etc. disc you have is not valid. the MCPS license can not be transfered to you as it could not be transfered to SC.
_________________ Paradigm Karaoke, The New Standard.......Shift Happens
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The Lone Ranger
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Posted: Sat Dec 14, 2013 5:14 am |
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Joined: Fri Jun 17, 2011 8:22 am Posts: 6103 Been Liked: 634 times
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JoeChartreuse wrote: NOW- again thanks to SC- we will have a diminished source pool for new songs, and many other difficulties if they lose the EMI case. Don't you mean when they lose Joe? As you have already pointed out in a previous post they are outgunned legally by EMI. The charges are expanding not contracting and it would seem SC is being stretched to it's breaking point. SC has also filed suit against former contractors for funds not paid to them. Then there is still the matter of CAVS with their civil RICO charges as well waiting in the wings. It is little wonder they have little time to file more suits against hosts since their resources have to be spread so thin. If the injunction is upheld their last significant source of revenue is gone the GEM series. Then they have nothing to convince hosts to license to avoid court suits. Once they do lose their advocates in the hosting community would be hard pressed to continue to support them. Since in doing so it would violate their own morale standard of not giving aid and comfort to a proven pirate. The legal problems just keep piling up for SC like a plane that has too much ice on it's wings. The total weight of the load will bring the plane eventually down and cause a crash. In much the same way the company that thought the legal process would be it's salvation, may find it is their doom.
Last edited by The Lone Ranger on Sat Dec 14, 2013 7:55 am, edited 1 time in total.
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timberlea
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Posted: Sat Dec 14, 2013 5:46 am |
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Joined: Wed Sep 04, 2002 12:41 pm Posts: 4094 Location: Dartmouth, Nova Scotia, Canada Been Liked: 309 times
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LR and his fantasies. You think because you have a rich fancy lawyer, you'll win. Well that is false. In criminal courts Public Defenders win a number of cases, and don't forget that little old lady who successfully sued Rotten Ronnies when she spilt coffee over herself. The biggest "guns" does not mean an automatic win.
_________________ You can be strange but not a stranger
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The Lone Ranger
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Posted: Sat Dec 14, 2013 6:35 am |
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Joined: Fri Jun 17, 2011 8:22 am Posts: 6103 Been Liked: 634 times
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timberlea wrote: LR and his fantasies. You think because you have a rich fancy lawyer, you'll win. Well that is false. In criminal courts Public Defenders win a number of cases, and don't forget that little old lady who successfully sued Rotten Ronnies when she spilt coffee over herself. The biggest "guns" does not mean an automatic win. There is also the recent case of the rich boy in Texas that killed four people and is going to California for rehab instead of the clink where he belongs. I'm sure the fact his folks had the money to hire legal big guns had nothing to do with it. Really tim if EMI thought they had no case they would not be adding to the charges, and they would have cut SC loose along with other defendant which they didn't do. I guess Jim couldn't persuade EMI that there is no basis to their charges. P.S. Tim what are fantasies, they are dreams, at this time of year you can dream of a White Christmas. Anytime you engage in legal activity it is like war you can't predict the outcome. Just like war it is a numbers game you can't always win, the more you engage the more likely you will lose an engagement. Lately SC has had a hard time going after the small fry. How are they going to fair against an opponent that is equal to if not even more competent than they are? My money is on EMI and if they fail there is always CAVS. You throw enough stuff at the wall eventually something will stick.
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JimHarrington
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Posted: Sat Dec 14, 2013 12:14 pm |
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Extreme Poster |
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Joined: Wed Aug 03, 2011 8:59 am Posts: 3011 Been Liked: 1003 times
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JoeChartreuse wrote: Sorry Lon, have to disagree. They CLAIMED it was world wide, and at the time nobody here gave a damn about karaoke and simply sat it out. However, no one here actually accepted it, and no documentation of such acceptance exists. NOW, thanks to SC, the publisher/owners are involved, and made it known that the overseas licensing does not include the U.S. No copyright laws were changed, because no precedant was set. However, now the enforcement of copyright laws has changed in regard to overseas product.
More importantly, another issue. The GEM licensing was issued to FSC MediaPlas, Not SC. Jim claims that such licensing can be transferred per First Sale Doctrine. Maybe he's right- or not. That First Sale Doctrine- as I understand it- is only transferable within the jurisdiction of the licensing agency. IF that's the case, then MCPS licensing issued to a UK based Producer cannot be transfered to a U.S. based company where the licensor is not recognized.
The thing is-again- if SC goes down, we get pulled along for a big piece of the ride. I'm hoping- not for their sake, but ours- that they can work up a better defense, but only time will tell.
NOW- again thanks to SC- we will have a diminished source pool for new songs, and many other difficulties if they lose the EMI case. Joe, do you enjoy just making up facts? Because you seem to do it a lot. One difference between you and me is that I am accountable for what I say. You clearly are not.
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The Lone Ranger
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Posted: Sat Dec 14, 2013 1:20 pm |
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Extreme Plus Poster |
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Joined: Fri Jun 17, 2011 8:22 am Posts: 6103 Been Liked: 634 times
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Jim does it really matter in the long run who says what or how it is spun? The truth will out in the end you can't hide it, you can avoid it for awhile, you can delay and hope to wear down the other side. Being a lawyer you should be well aware of that tactic. Eventually everyone will have to pay for their miss deeds they will not escape. That is why all that you send out into the lives of others comes back into your own. Look at all of the dictators in the end they got theirs , from Caesar to Hitler. If there is nothing to the EMI suit then you and Kurt have nothing to worry about. On the other hand if EMI wins the suit I'm sure you will appeal, being the good lawyer you are, and drag everything out as long as possible. Most likely you will settle out of court where the details will be kept silent. I am just wondering if you appeal the hosts that support you will then say wait till the appeal results come in to pass judgement on SC's conduct. You are lucky in that respect you will be given every benefit of the doubt, something some of the hosts you have gone after did not get.
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earthling12357
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Posted: Sat Dec 14, 2013 6:08 pm |
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Joined: Sat Jan 08, 2011 11:21 pm Posts: 1609 Location: Earth Been Liked: 307 times
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I started this thread because I believe it could be an important case to everyone who enjoys karaoke. The insights to the thinking of those who own the rights to the music we sing are interesting to say the least. The outcome of this case will likely affect us all whichever way it goes. With the licensing issues at hand, there will likely be one party that walks away from this case feeling more powerful than before and the other will likely be weakened along with the rest of us. It was my hope that those interested enough to comment would look up the case and read the actual complaint. I did not want to retype the entire 145 pages or even the first eighteen pages that make up the complaint itself, so I just retyped a few passages. There is much more to the complaint itself than the parts I chose to put in the original posting. The first parts of the complaint give a very good explanation of EMI’s reasoning behind the suit. When you read it yourself (link below,) start paying close attention at page six item twenty. Quote: 21. Karaoke recordings, unlike typical phonorecord recordings, require “synchronization” or karaoke licenses for the graphic display of lyrics that appear on a monitor in a synchronized presentation with the recorded music. The synchronization or karaoke license typically grants rights for a mechanical reproduction of the musical composition, the use of the lyrics in synchronized graphic display, the advertising, distribution and/or sale, as well as promotional use of the composition, and may include a “print” permission for reproduction of the song’s lyrics on lyric booklets or inserts in the karaoke package. The permissions granted to such licensees are strictly personal and non-transferable and non-assignable. Such licenses do not permit the licensee to utilize/replicate illicit recordings made by third parties a (non-parties to the license) to make their products utilizing Plaintiff’s copyrighted content.
I think the point they are trying to make here is that a third party (FSC Mediaplas) can’t acquire a valid license by using someone else’s (Sound Choice) licensed or unlicensed product. And at the same time a third party (Sound Choice) can’t use a proxy (FSC Mediaplas) to acquire valid licensing for their own product. Quote: 23. Historically, music publishers have not issued non-exclusive licenses to permit further downstream sub-licensing or sale of recordings to other commercial entities that are not parties to the license. More recently however, publishers have undertaken the issuance of what are called “Audio Master” licenses which do permit, under very strict controlled circumstances, the sale of “Audio Master” recordings to downstream commercial entities for further commercial exploitation. Such licenses require the concurrent licensing of the downstream commercial purchaser of the “Audio Master” recording to authorize whatever commercial use the purchaser seeks to make of the copyrighted work.
While this part should be of particular interest to Gem licensees, the ramifications of a decision on this language could end up affecting everyone. Here, the “downstream commercial purchasers” are both Sound Choice who purchased from FSC Mediaplas and the KJ who purchased from Sound Choice. EMI seems to be claiming that Slep-Tone and the KJs that Slep-Tone “licensed” it’s Gem sets to should have been concurrently licensed through EMI for their further commercial exploitation of the product as downstream commercial purchasers. Wouldn’t it be nice if all KJs had to acquire “Audio Master” licensing from the publishers to commercially exploit karaoke products? This may not have become an issue at all had Slep-Tone been simply selling the Gem set outright instead of utilizing a licensing scheme. I believe this is the basis for the vicarious and contributory liability claims. By giving the KJ the product in an easily copied format with instructions on how to copy it, and stickers to authenticate their hard-drives, and all of the other encouragements to copy the product for commercial purposes without licensing to do so, EMI believes Slep-Tone should be held accountable for damaging them; This is very much the same way Slep-Tone seeks to hold venues accountable for hiring pirate KJs. I’m done retyping; here is a link where you can see the entire document: http://www.pdf-archive.com/2013/12/09/emi-vs-slep/If you are interested in the future of karaoke, I encourage you to read the first eighteen pages.
_________________ KNOW THYSELF
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JoeChartreuse
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Posted: Sat Dec 14, 2013 11:25 pm |
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Joined: Wed Feb 07, 2007 1:12 pm Posts: 5046 Been Liked: 334 times
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HarringtonLaw wrote: [ More importantly, another issue. The GEM licensing was issued to FSC MediaPlas, Not SC. Jim claims that such licensing can be transferred per First Sale Doctrine. Maybe he's right- or not. That First Sale Doctrine- as I understand it- is only transferable within the jurisdiction of the licensing agency. IF that's the case, then MCPS licensing issued to a UK based Producer cannot be transfered to a U.S. based company where the licensor is not recognized.
The thing is-again- if SC goes down, we get pulled along for a big piece of the ride. I'm hoping- not for their sake, but ours- that they can work up a better defense, but only time will tell.
. Joe, do you enjoy just making up facts? Because you seem to do it a lot. One difference between you and me is that I am accountable for what I say. You clearly are not.[/quote] ****************************************** I think it's a shame that an attorney of ANY sort isn't literate enough to read a forum post, but I will re-iterate my statement, with the hopes of clarity: --------------------------------------- The GEM licensing was issued to FSC MediaPlas, not SC. Jim claims that such licensing can be transferred per First Sale Doctrine. Maybe he's right- or not. That First Sale Doctrine- as I understand it- is only transferable within the jurisdiction of the licensing agency. IF that's the case, then MCPS licensing issued to a UK based Producer cannot be transfered to a U.S. based company where the licensor is not recognized. -------------------------- Try to comprehend the emboldened part. Can you understand that no statement of fact was posted, but rather an opinion that- eventually- will be decided in court? Even more ludicrous is the fact that I was hoping that you could mount a better defense so the rest of us don't get screwed thanks to you and SC. In other words, I'm hoping that you are actually going to work smarter in court than usual this time around... What do you think- can you work a bit harder, research a bit more, and maybe actually get the job done-for a change?
_________________ "No Contests, No Divas, Just A Good Time!"
" Disc based and loving it..."
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jclaydon
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Posted: Sun Dec 15, 2013 12:07 am |
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Joined: Fri Jun 18, 2010 11:16 pm Posts: 2027 Location: HIgh River, AB Been Liked: 268 times
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i am really confused
"35. Alternatively, the Slep defendants have materially contributed to and induced the unlawful use of Plaintiff's sound recordings, or have failed to excercise their respective rights and abilities to control the conduct of those responsible for the infringement, thereby deriving a financial benefit from the infringement"
Unless I am confusing terms again. Didn't sound choice make their own recordings? which under the current US copyright laws, would be considered a separate work, and therfore fully belong to the entity that recorded it.
How the heck could there be infringment if EMI didn't own the recordings made unless of course the mechanical portion of the license wasn't paid at all.
-James
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MrBoo
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Posted: Sun Dec 15, 2013 1:12 am |
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Joined: Tue Jul 31, 2012 3:35 am Posts: 1945 Been Liked: 427 times
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jclaydon wrote: i am really confused
"35. Alternatively, the Slep defendants have materially contributed to and induced the unlawful use of Plaintiff's sound recordings, or have failed to excercise their respective rights and abilities to control the conduct of those responsible for the infringement, thereby deriving a financial benefit from the infringement"
Unless I am confusing terms again. Didn't sound choice make their own recordings? which under the current US copyright laws, would be considered a separate work, and therfore fully belong to the entity that recorded it.
How the heck could there be infringment if EMI didn't own the recordings made unless of course the mechanical portion of the license wasn't paid at all.
-James NO NO NO They created a derivative work. That's been a huge issue with me from the get go. SC does have LIMITED rights to the derivative works but they still fall under the original rights holders' rights.
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chrisavis
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Posted: Sun Dec 15, 2013 6:13 am |
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Joined: Fri Dec 02, 2011 12:38 pm Posts: 6086 Images: 1 Location: Redmond, WA Been Liked: 1665 times
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The Lone Ranger wrote: 8) That is why SC has been focusing on the Trademark Infringement primarily in their suits. The content of the track is still the property of the original copyright holder, the publishers in this case. ! -Chris
_________________ -Chris
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MrBoo
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Posted: Sun Dec 15, 2013 7:11 am |
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Joined: Tue Jul 31, 2012 3:35 am Posts: 1945 Been Liked: 427 times
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The Lone Ranger wrote: 8) That is why SC has been focusing on the Trademark Infringement primarily in their suits. The content of the track is still the property of the original copyright holder, the publishers in this case. It's deeper than that. Remember, SC sold their catalog to Stingray. They only personally hold the copyrights to works created after that sale. I think THAT is a primary reason for going Trademark.
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The Lone Ranger
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Posted: Sun Dec 15, 2013 7:17 am |
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Joined: Fri Jun 17, 2011 8:22 am Posts: 6103 Been Liked: 634 times
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chrisavis wrote: The Lone Ranger wrote: 8) That is why SC has been focusing on the Trademark Infringement primarily in their suits. The content of the track is still the property of the original copyright holder, the publishers in this case. ! -Chris I'm glad you find everything so amusing. I wonder if you will be so happy if SC comes up on the short end of the legal stick. If they lose will you be defending a pirate company? If the injunction is upheld will you turn back in your GEM series for destruction? Will you sue SC for the balance of your license period?
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chrisavis
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Posted: Sun Dec 15, 2013 8:57 am |
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Joined: Fri Dec 02, 2011 12:38 pm Posts: 6086 Images: 1 Location: Redmond, WA Been Liked: 1665 times
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The Lone Ranger wrote: chrisavis wrote: The Lone Ranger wrote: 8) That is why SC has been focusing on the Trademark Infringement primarily in their suits. The content of the track is still the property of the original copyright holder, the publishers in this case. ! -Chris I'm glad you find everything so amusing. I wonder if you will be so happy if SC comes up on the short end of the legal stick. If they lose will you be defending a pirate company? If the injunction is upheld will you turn back in your GEM series for destruction? Will you sue SC for the balance of your license period? What I find amusing is your complete lack of proof about many things you post here. You should have been a politician. -Chris
_________________ -Chris
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